Search results for 'Beauty, Deformation'

Beauty, Deformation and Monsters # 5 The Halloween Edition

31 Oct

Pumpkin

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Lydia Allison our ‘Writer In Residence’ for the month of October.

..and a new Halloween Monster !

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

____________________

Happy Halloween Everyone!

And to celebrate we’re not only offering you Lydia’s final poem focusing on deformation, specially written to pull the project together but also a new monster formed out of all the  poem illustrations by the artists involved in this project who have been inspired by Lydia’s poems.  You probably  haven’t seen anything like it before! This has been created by Sara Mena (you can see the image she contributed last week here).

The talented artists collaborating in Lydia’s project alongside Sara have been Gary Caldwell (whose art work went out in our first post here) and Amanda Santos (whose art work went out a fortnight ago here) and Diana Probst (whose art work you can see here).

We hope you’ve enjoyed the juxtaposition of words and images over the weeks, and a big thank you to Lydia for providing the artists with such a rich source of imagery and themes. We’ve enjoyed having you and your poetry with us. I really hope the connection will continue. And another BIG thank you to Gary, Amanda, Diana and Sara for their terrific artwork, which you can see collectively transformed below.

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Final monster_artipeeps_lydiaallison

Our Collaborative Poem Monster

Claws

by Lydia Allison

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Claws 2

Please click on the poem image to enlarge if you need to 

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Writer’s Biography

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

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As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

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Happy Halloween from the other monster too!

grand_monster_complete sara

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Beauty, Deformation and Monsters # 4

24 Oct

Deformity

 Lydia Allison our ‘Writer In Residence’ for the month of October.

..and the ever-changing Halloween Monster !

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

____________________

Here’s the fourth of five poems on deformation by Lydia Allison illustrated this week by artist Sara Mena.  You’ll also find the third instalment of our ever-morphing, dastardly collaborative monster. This drawing is being collectively produced and passed from artist-to artist week-by-week- all contributing to one image.

The artists collaborating in Lydia’s project alongside Sara have been Gary Caldwell (whose art work went out in our first post here) and Amanda Santos (whose art work went out a fornight ago here) and Diana Probst (whose art work you can see here

So….each week you’ve been presented with a new poem and two new images/artworks (one illustration & one growing monster) today is the final poem and monster completion before the grande reveal next week of a new poem by Lydia especially written for the culmination of this project and the final collaborative version of the monster in situ for Halloween on the 31st.

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claws_saramena

Claws by Sara Mena

Please do click on the image to enlarge-it’s worth it

scars

by Lydia Allison 

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like lapped scum from waves
fish scales the shape of nails biting flesh
soft grey of freed blood
fractured vein
lightless shadow under skin

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weight of sleep and sheets
a mercury circle of brine slides from one eye
to the other eye

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swollen face of a stranger
empty body full of colour

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raised lines like child’s writing
fake letters link
breaths wait to stagger pain

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the legs
the chest
body set
hollow nest

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still and patient
not to find anything

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The Monster:

... with legs…or are they….here are Sara’s additions:

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grand_monster_complete sara

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 He’s amphibian….who’d of thought…

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Writer’s Biography

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

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Artist’s Biography:

 “HI I’m Sara Mena, i’m a freelance illustrator and 2D artist and very positive with life and with the things I love. I was born in 1985 and although I have a BA in Graphic Design I was always drawn to the visual arts and illustration and decided to go that way. I like to work in paper and digital, usually mixing those two. I’m passionate with expression and emotion in paintings and drawings and I like merging media to find new ways of expression and to convey responses. At present time, I’m doing figurative work, science art and also art for videogames. Sometimes I work in some art exhibitions. I’m glad to be able to work with such different areas, they make me use different techniques and make me think in particular ways, that helps me grow and expand my art.

http://saramena.com/

https://twitter.com/_saramena

You can find more of Sara’s art in a previous feature on ArtiPeeps, Interactions and Intersections’.

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The monster is sticking with Sara until next week so she can put him into a context for the big reveal…Be very,very  afraid…or not…

Lydia’s final poem especially written for the culmination of our project will be out on ArtiPeeps next week for Halloween –Thursday 31st October.  

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As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

Beauty, Deformation and Monsters # 3

16 Oct

Deformity

 Lydia Allison our ‘Writer In Residence’ for the month of October.

..and the ever-changing Halloween Monster!

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

____________________

Here’s the third of five poems on deformation by Lydia Allison illustrated this week by artist Diana Probst (See her biography below). You’ll also find the third instalment of our ever-morphing, dastardly collaborative monster. This drawing is being collectively produced and passed from artist-to artist week-by-week- all contributing to one image.

The artists collaborating in Lydia’s project alongside Diana are Gary Caldwell (whose art work went out in our first post here) and Amanda Santos (whose art work went out last week here) and Sara Mena (whose art work is still to come).

So….each week you’ll be presented with a new poem and two new images/artworks (one illustration & one growing monster). You’ll be introduced to each artist as we go along too.

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Cauliflower Heart

Please do click on the image to enlarge

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Cauliflower Heart

by Lydia Allison

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You see them, don’t you?
These little scars just below
where my bra sits?
In the right light they shine like new
You noticed my fingers
blackened at the tips
nails hard
feeling gone

.
I know, I’m trying not to slouch, but
can’t you see the ropes?
Woven thick
and reaching
down?
All these tendons from tired knee
to toe are old rubber bands
I can’t reach any more
stretch…….. leap……fall
best foot worn

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these stitches run like ladders pulling holes
but not everyone can see like you
they see: red wine purple teeth
cheshire cat grin
but not the split fruit skin,
and under it all
the hard tissue grows.

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Writer’s Biography

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

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Artist’s Biography:

 Diana is a young artist in Cambridge, who is continually surprised that people will pay her to do what she loves.  She likes beer and being paid on time.  She has illustrated two books and a lot of bits of paper.  She wants to paint portraits, takes commissions, and drinks tea like it is water.

http://dianaprobst.com/

https://twitter.com/DianaProbst

You can find more of Diana’s art in a previous feature on ArtiPeeps, Ask An Artist.

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The Monster:

with Diana’s additions

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grand_monster

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The monster was passed to Sara Mena today. She’s fiddling with his appendages as we speak….

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Lydia’s next poem will be out on ArtiPeeps next week-Thursday 24th October.  You can also check-in then and  see what stage our cheery monster is at too!  

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As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

Beauty, Deformation and Monsters # 2

10 Oct

Deformity

 Lydia Allison our ‘Writer In Residence’ for the month of October.

..and the ever-changing Halloween Monster!

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

____________________

Here’s the second of five poems on deformation by Lydia Allison illustrated by emerging Artist Amanda Santos (See her biography below), and the second instalment of our ever-morphing, dastardly collaborative monster. This drawing is being  collaboratively produced and passed from artist-to artist week-by-week all contributing to one image.

The artists collaborating in Lydia’s project alongside Amanda are Gary Caldwell (whose work went out in our first post here) and Diana Probst and Sara Mena (whose work is to come). So….each week you’ll be presented with a new poem and two new images/artworks (one illustration & one growing monster) and you’ll also be introduced to each artist.

______

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Blood Gold by Amanda Santos

Please do click on the image to enlarge

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Blood Gold

by Lydia Allison

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it drags the veins as it flushes and trudges
heavy and sludgy, it reminds you
of energy and time and waste

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it weighs
and stretches the fibres
the skin
until she is numb
and unable to see
the leaves that shimmered
now gather around the rich tree root trunk of her heart
like cholesterol snagging in corners
and shutting valves like doors.

.
the key
a bright speck that navigates the brain
or abides in the green retina of the left eye
he noticed once

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and hurts? can you not know?

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it hurts
it makes her shine
and now it pools
a small dam low
in her chest

.
it pools
small sac by sac
so when she breathes
it’s cold and half dead
and tastes
like blood

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Writer’s Biography

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

Artist’s Biography:

 “Hi, my name is Amanda Santos. I’m a junior in High School, and I only really got involved in art a year ago in my Art I class. Since then I have tried to learn everything that I possibly can about every type of art that I could find. I am still trying to find a style and a voice in the artistic world, but I’m on my way.”

https://twitter.com/AmandaS5454

You can find more of Amanda’s art in a previous collaboration on ArtiPeeps, Interactions and Intersections.

________________________

The Monster .

with Amanda’s additions

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Amanda's monster (2)

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The monster was passed to Diana Probst today. She’s shaping the monster as we speak….

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Lydia’s next poem will be out on ArtiPeeps next week-Wednesday 16th October.  You can also check-in then and  see what stage our cheery monster is at too!  

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As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

Beauty, Deformation and Monsters #1

1 Oct

Deformity

Introducing Lydia Allison our ‘Writer In Residence’ for the month of October.

..and The Monster!

I approached Lydia a while ago proposing that she could maybe take up a month long residency on ArtiPeeps and to my delight she said yes! It was Lydia who then came up with the idea of focusing on notions of deformity as she had written a number of poems about it. When I asked Lydia the question, ‘why deformity?’, this is what she said about her interest:

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

And this is what Lydia said about herself too:

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

It was very clear that Lydia could ‘string lines into poetry’ and she produced 4 poems focused around the body or parts of the body. We decided that it would be wonderful if these poems could be illustrated and, because Halloween is a coming, for the artists involved  to use the parts of the body fleshed out within her poems to inspire a Collaborative Halloween Monster too.

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So what you’ll find for the next four weeks is one poem of Lydia’s illustrated by an artist each week and an ever- growing, ghastly Monster being created alongside it;  the nature of which, will gradually emerge bit by bit.  

This drawing will be collaboratively produced and passed from artist-to artist week-by-week all contributing to one image. The artists collaborating in Lydia’s project are Gary Caldwell, Amanda Santos, Diana Probst and Sara Mena. Each week you’ll be presented with a new poem and two new images/artworks (one illustration & one growing monster) and you’ll also be introduced to each artist.

Today’s images have been created by artist and illustrator Gary Caldwell who is currently living and working in Aberdeen, Scotland. Indeed Gary is also responsible for our ArtiPeeps logo on the sidebar. His graphics are always striking. 

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Print

You can find more of Gary’s art via http://www.flowland.co.uk/Contact

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Most People Start With The Skin

by Lydia Allison

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like back-washing a canvas
it is much easier to go brighter
or darker.
Try to remain as plain and smooth
as possible – make yourself
not like yourself
– do you want to stick out?

.
If they can tell you’re flesh and fibres
that you have pores
you sweat
think
eat mayonnaise
you have lost.

.
Learn to laugh
right
and to smile
right
how to talk
eat
who to like
OK
what to say
OK

and once you are there
consider all of them
consider yourself
disguised.

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lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

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The Monster

The head

Print

The monster’s head was passed to Amanda Santos yesterday. She’s adding body parts as we speak….

Lydia’s next poem will be out on ArtiPeeps next week- Thursday 10th October.  You can also check-in and  see what stage our cheery monster is at too!  

As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

ArtiPeeps

31 May


blog-logo

Welcome to ArtiPeeps !

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  Nurturing Creativity and Well-being Through Collaboration

VISION:

To become the best, most supportive role-model, global organisation providing  challenging creative and collaborative opportunities for emerging creatives from all disciplines. Specialising in multi-form and form-specific collaborations through which we develop creative potential and well-being. Known to be THE artistic community where ‘Creatives Make A Difference’ whilst create new and innovative art and literary works.

OUR CORE VALUES:

  • Respect
  • Honest, wholehearted communication
  • Integrity
  • Collaboration
  • Care

OUR PURPOSE:

Nurturing Creativity and Well-being through collaboration.

WHAT IS ARTIPEEPS?

We are a warm-hearted  online collaborative creativity and well-being site, and now constituted voluntary organisation, which has been up-and running since 2012. We offer a range of online individual and group opportunities with concrete outlets for emerging creatives driven primarily through multi-form collaborations.  Our aim is to also provide unique opportunities for creatives from any discipline  to create large-scale multi-form artworks.

We also believe in the creative potential which is in us all in its various guises, and in the benefits of individual creatives connecting locally and globally.  We like to think that ArtiPeeps contributes to nurturing potential, collaboration and interaction via our services. It’s what we’re about, and we’re continually evolving and developing our services to meet the needs and talents of our users.

We also recognise that there has always been a close link between creatvity and well-being/mental health issues, and this is reflected in our ‘Supporting Mental Health’ collaborations where we endeavour to address this dynamic subtly through an engagement with the issues and emotions around this area to facilitate public engagement and awareness of these issues. We are intending to create touring initiatives focused around these collaborations.

HOW WE DO IT

By providing  showcasing opportunities for individual creatives (via Weekend Showcase and FreeSpace) which feed into  small, mid-sized and large-scale multiform online collaborations.  All showcased creatives are free to take part in our collaborative opportunities; indeed. we encourage this.  You can see our Weekend Showcases here, and our FreeSpaces here.  

Our large-scale collaborations fall in to two initiatives  EPICS! (educational, reinventions of literature and the like) and ‘Creatives Making A Difference’, ‘Supporting Mental Health’ which focus on emotions and states of being. . Both threads serve to be innovative, challenging, make a difference and create new, multi-form artworks.

We also  turn these virtual opportunities into concrete ones via exhibitions, publications and installations.  For instance, our large-scale poetry and art collaboration ‘Transformations’ (17 poets, 15 artists, 1 contemporary reworking of Ovid’s Metamorphoses) will be  exhibited in September 2014 in Hanse House , King’s Lynn as part of the national heritage day. An exhibition book and ebook is also being published alongside this.  Over the next five years we also hope to develop a  promotional and support service for emerging creatives which can operate in unison with ArtiPeeps. 

HOW WE STARTED:

ArtiPeeps started off as a Women’s Creativity Group started by Nicky Mortlock aka ArtiPeep  in 2011. A  private website was created for that group and unbeknown to us the website wasn’t in fact private at all (!) and was getting lots of views; and from that small premise ArtiPeeps, as you see it now, has grown. Nicky still facilitates the monthly creativity group. ArtiPeeps, the group is equally fuelled by collaboration, creativity and laughter. And 3 of the members are now participating in our  ‘Transformations’ project.

AN OVERVIEW OF OUR OPPORTUNITIES:

  • Individual Showcasing through Single Form Collaborations
  • ‘Weekend Showcase’ Regular Individual Showcasing:  1 new creative, 1 piece   Click here for an e.g.
  • ‘FreeSpace’ (3 free-form slots for any individual offered a showcase) Click here for an e.g.
  • Multiform Collaborations See: ‘Transformations ‘ 17 poets, 15 months, 1 contemporary interpretation of Ovid’s Metamorphoses; ‘The Recovery Project’: 3 artist/3 poets., 1 audio visual artist collaborating in the creation of one piece on the mental health theme of ‘recovery’.
  • Creative Residencies- For creatives who might not have a website or have a particular project in mind- Borrow a page of our site for a month or take part in a uniquely tailored multi-form collaboration. See poet Lydia Allison’s month with us here
  • Gallery-Links & Spaces At the end of next year ArtiPeeps will be holding our first exhibition in Kings Lynn (UK), the culmination of our ‘Transformations Project’ thanks to Hanse House.

WORK-IN-PROGRESS MID-TERM SERVICES: 

  • ‘ArtiPeeps Pressed’- a publishing, promotions and resource site for creatives
  • 8 Week Online Creativity Course-Designed to spark and re-kindle creativity
  • Virtual Online Gallery for artists involved with ArtiPeeps

FUTURE PLANS & SERVICES

It’s my intention to secure long term funding for ArtiPeeps so it can can grow as an online presence for emerging  creatives and to feed all the initiatives and plans we have on the boil and in the future. Through funding we can secure the continuation of our role as a place for creativity, collaboration and well-being which helps support the breadth of talent that proliferates across the world.

So…what’s ahead…

  • More great collaborations and a brand new website
  • A membership scheme
  • A Subscription based Personalised Promotion Service for Emerging Writers
  • The development of Wellbeing and CBT apps using mobile application technolgy
  • Regular Multi-form Exhibition Facilitation both static and touring – virtual and real for individuals and groups
  • The provision of  a breadth of Online Creativity Courses
  • More connections with like-minded organisations

 

 If you would like to get involved with ArtiPeeps  we’d love to have you. You can follow us by clicking on the Follow Us Button at the top of the sidebar. Then you won’t miss a single drop of creativity! Equally, if you’ve got any ideas for projects do get in touch. We always look forward to feedback and to ideas!

Thanks for your interest!

Nicky

THE TEAM:

Director: Nicky Mortlock

Chair: Elaine Offley

Treasurer: Karin Heyer

Secretary: Tracey Black


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