Tag Archives: Ann Supan

Realm 9: Alfheim – Overview and writing prompts, The Nine Realms, an ArtiPeeps Combined Arts Collaboration 2014-2015

8 Jun

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The Nine Realms

9 months, 22 poets and writers, 22 Artists, 3 composers, 1 Viking boat= a magical reworking of Norse Mythology for contemporary audiences

Alfheim

(the realm of the Light Elves)

 

Vikings Ahoy!

Here we are in early June with the deadline for the poetry and writing for the 8th realm Midgard having just passed on Friday 5th June ! Who’d have thought we would now be on the final realm! 

From this week onwards I will be posting out Midgard poetry.

This month we are outlining the final Norse realm of Alfheim. The final deadline for all writing, poetry and mp3s for this realm is Friday 19th June 2015. I can hardly believe that this is the final realm. Congratulations to all the Viking poets for their creativity, interest and perseverance!!

These monthly posts will draw from a range of primary and secondary source materials and focus on selected gods, themes and stories that circle around the highlighted realm. They will not attempt to cover everything, and writers can embrace any other stories and characters within their writing which is not covered. Month by month we will be building our own magical, contemporary norse world whilst exploring the themes of POWER, NATURE and RELIGION. The project’s overall intention is to embrace orality, translation, storytelling and rhythm all of which are inspired by the origins of the oral tradition of the Norse Sagas.

I may well put out little mini-posts intermittently focusing on orality and poetic form as necessary.  

What is presented below is designed to inspire, present basic information and offer a starting point for individual creativity within the project inspired by the themes, characters and spirit of the myths and stories.

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The Crossover by Ann Supan (Alfheim, Realm of the Light Elves)

The Crossover by Ann Supan (Alfheim, Realm of the Light Elves)

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1. A Brief Overview of Alfheim

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It is often said that there are two sorts of elves in Norse mythology:  the Dark Elves and the Light Elves. The Light Elves are said to live in Alfheim near the gods’ halls and palaces. In old Norse,  Ālfheimr, is known as ‘Land of the Fairies’.  Alfheim is quite an elusive realm, and is only mentioned twice in the Norse Saga texts, making the realm quite hard, in actuality, to bring to life. The god Freyr is said to be the ruler of Alfheim.  Elves, along with Freyr, are generally associated with the sun  (Ellis Davison: 156). This derives from ‘a kenning for the sun, álfrǫðull…to some suggestive of a close link between the elves’.  (Motz 1973, p. 99; Hall 2004, p. 40.)

Scholars of Old Norse mythology now focus on references to elves in Old Norse poetry, particularly the Elder Edda. The only person explicitly identified as an elf in classical Eddaic poetry, if any, is Völundr, the  main character in the Völundarkviða  However, elves are frequently mentioned in the sequence of words: Æsir ok Álfar (‘Æsir and elves’). This sequence shows a strong tradition of an association between the elves with the Æsir.

See: http://en.wikipedia.org/wiki/%C3%81lfheimr

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The two references two elves within the Edda texts are as follows:

1. In the eddic text  Grímnismál, describing 12 divine residencies of the gods

in stanza 5 :

Ýdalir call they     the place where Ull

A hall for himself hath set;
And Álfheim the gods     to Frey once gave

As a tooth-gift in ancient times.

nb. A tooth-gift was a gift given to a child on the cutting of the first tooth.

You can find the whole Grímnismál  here 

2. In the Gylfaginning of The Prose Edda:

‘That which is called Álfheim is one, where dwell the peoples called ljósálfar [Light Elves]; but the dökkálfar [Dark Elves] dwell down in the earth, and they are unlike in appearance, but by far more unlike in nature. The Light-elves are fairer to look upon than the sun, but the Dark-elves are blacker than pitch. There are in fact some references that there are three places within the heavens where the light elves live: GimléAndlàngr and  Víðbláinn. This information is passed onto the king of Gylfi by a figure called High.’

You can find the whole Gylfaginning here.

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For more information on the history of elves see: http://en.wikipedia.org/wiki/Elf

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For more details on Dökkálfar and Ljósálfar see http://en.wikipedia.org/wiki/D%C3%B6kk%C3%A1lfar_and_Lj%C3%B3s%C3%A1lfar

 

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Eye of Freyr by Elaine Offley (Alfheim)

Eye of Freyr by Elaine Offley (Alfheim)

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2. Story Focus: Lovelorn Freyr

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Freyr goes to  Hlidskjálf (the high seat of Odin which allows him to see all the realms~). He gazes across the realms and sees Gerðr the giantess with whom he falls immediately in love. Rather than becoming full of joy he broods and ruminates. Opening up to his page Skírnir, he asks Skirnir to woo Geror for him.

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Þá svarar Skírnir, sagði svá at hann skal fara sendiferð en Freyr skal fá honum sverð sitt. Þat var svá gott sverð at sjálft vásk. En Freyr lét eigi þat til skorta ok gaf honum sverðit. Þá fór Skírnir ok bað honum konunnar ok fekk heitit hennar, ok níu nóttum síðar skyldi hon þar koma er Barey heitir ok ganga þá at brullaupinu með Frey. Gylfaginning 37, EB’s edition Then Skírnir answered thus: he would go on his errand, but Freyr should give him his own sword-which is so good that it fights of itself;- and Freyr did not refuse, but gave him the sword. Then Skírnir went forth and wooed the woman for him, and received her promise; and nine nights later she was to come to the place called Barrey, and then go to the bridal with Freyr. Gylfaginning XXXVII, Brodeur’s translation

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Sword of Freyr

Sword of Freyr

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As mentioned above, Skrinir asks for Freyr’s sword in return. This request has apocalyptic consequences as Freyr does not have his sword to fight Surt at Ragnarök .

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3.  Völundr, the main character in the Völundarkviða in the Poetic Edda (see overview above)

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Völundr

Völundr

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Volundr is an artisan and is said to be one of the three sons of the king of the Finns. He is called  “prince of the elves” (vísi álfa) and “one of the álfar” or “leader of álfar”. 

So the story goes, his wife Hervör-Alvitr, a valkyrie (“chooser of the slain”), abandons him after nine years of marriage. He is then captured by Níðuðr, a cruel-king of Närke (Sweden) who is out to get Völundr’s gold. Völundr is put to work on an island making artifacts for the king. Eventually he finds means to take revenge and escapes.  He kills Niðuðr’s sons, impregnates his daughter and then flies away laughing.

http://en.wikipedia.org/wiki/V%C3%B6lundarkvi%C3%B0a

You can find the full Völundarkviða here

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4. Fertility Ceremonies and the Elves

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Sunwheel

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There is a story of an early King of Norway called Olaf, to whom, In a times of scarcity, men sacrificed.  This is stated  in Flaseyjarbok, one of the largest medieval manuscripts. At times of famine they also sacrificed to Freyr as the god of fertility. ‘When Olaf the Holy was born, he was named after the earlier Olaf. He was christend ‘Olaf, Elf of Geirstad’ [11, 106]. Viking burials quite often seemed to be connected with elves, right into the late Viking age (Ellis-Davidson: 155-156). This is seen to be evidence of the connection between fertility, elves and Freyr.

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King Harold receiving the Flateyjarbok

King Harold receiving the Flateyjarbok

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Another mention…Sigvat, a poet who served under King Olaf the Holy,  in 1018,  describes how the king could not find a place to stay because everyone was too busy sacrificing to elves.

Cupmarks on rocks and stones are found in association with sunwheels. Farmers have often poured milk into similar cups as offerings to the elves.

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Themes, Relevance and Questions

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Good versus evil

It has been suggested that this classification of the two types of elves has come in as part of the influence of Christianity. A division of good and evil, light and dark.  To consider this in relation to notions of power, fairness and spirituality within The Prose and Poetic Eddas is an interesting notion.

Exploration Point:  What other examples of dualism, or contrasts can you find in the Eddas and how are they used to comment on the world and the heavens? 

 

Things of Interest:

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1. The Speech of Elves

 J. R. R. Tolkien anglicized Álfheim as Elvenhome, or Eldamar in the speech of the Elves. In his stories, Eldamar lies in a coastal region of the Undying Lands in the Uttermost West. The High King of the Elves in the West was Ingwë, an echo of the name Yngvi often found as a name for Frey, whose abode was in Álfheim according to the Grímnismál.

For an Interview with Tolkien from 1968 go to: https://youtu.be/DFcjBzP7H-E

 2. Light-elves, Dark-elves, and Others: Tolkien’s Elvish Problem by Tom Shippey

http://muse.jhu.edu/journals/tolkien_studies/v001/1.1shippey.html

 

 3. Norse Elements in the work of J.R.R. Tolkien

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4. Drawing Lessons: How to draw Elves

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5. Prospero’s Speech from The Tempest : ‘Ye elves of hills, brooks, standing lakes, and groves’

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6.  Words For Sentient Beings From Norse Texts

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_field_diagram_of_words_for_sentient_beings_in_Old_Norse

 

http://en.wikipedia.org/wiki/Elf#Old_Norse_texts

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Optional Poetry and Writing Prompts:

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Luc Bat

A Vietnamese verse form. Where lines of 6 syllables alternate with lines of 8 syllables. The name Luc Bat means six-eight. The rule is that each rhyme occurs three times – first at the end of an 8-syllable line, then at the end of the next 6-syllable line, and finally as the sixth syllable of the next 8-syllable line. The end loops back to the beginning. They can be both long and short.

See here for more details.

Writing Word Prompts:  Song, Hope, Motion, Contempt, Time, Darkness, Haunting, Magic, Heavens, Memory

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To confirm, the deadline for all writing, poetry and mp3s for the Alfheim realm is Friday 19th June 2015.

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 Thank you so much for your interest. Do keep an eye out for more of The Nine Realms project updates. 

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References

 Allan, T (2010) Vikings, The Battle at the End of Time, London: Watkins Publishing

Crossley-Holland, K (1993) The Penguin Book of Norse Myths: Gods of the Vikings, London, Penguin Books

Ellis Davidson, H.R. (1990) Gods and Myths of Northern Europe, Penguin Books

Hollander, L.M. (1996) tr. The Poetic Edda, Austin: University of Texas Press

Larrington, C. (1996) tr. The Poetic Edda, Oxford University Press

Sturluson, S. (2005) The Prose Edda, Penguin Classics, tr. Jesse L. Byock

The Art of FORGIVING but not FORGETTING by artist Ann Supan (FreeSpace #3)

21 May

MANILA CATHEDRAL 1600px

MANILA CATHEDRAL by Ann Supan 

 

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The Art of Forgiving but not Forgetting

Art, for me, is the artist’s converted thoughts and emotions of a subject into something tangible such as a sketch, drawing, or a painting.

I won’t dare argue how others defines Art because Art is quite subjective. I do, however, believe that ‘WHY someone makes Art’ reflects a lot about what Art really means to them…

(in no particular order)

– adventure, fun and enjoyment

– to connect

– to edify or educate

– reuniting and recording of one’s thoughts, feelings, and memories

– to communicate

– money

– to be famous

Probably an artist should make a percentage chart of ‘Why I make Art’ instead of the usual direct statement as answer to this seemingly simple question. I myself can agree with a number of above mentioned reasons because they are sort of interrelated with one another.

It would be such a mendacity if I say that I don’t make Art for money at all…How else will I be able to buy the materials I need to create without money?

However I draw the line between trying to be “recognized” as an artist and to be “famous”. I have every reason to believe that someone can be an artist yet not be famous especially now that the term “fame” has been somehow “evolutionatized” by how the majority uses social media. I don’t intend “educate” with my art either as I am learning myself.

Nevertheless, based on my own definition of art, there is one which I agree most –

– reuniting and recording of one’s thoughts, feelings, and memories

My memory triggers my thoughts and somehow exaggerates my feelings with this imperative desire to create.

I observed that I’m having a hard time to draw when I’m happy. I’m actually able to make what I consider memorable pieces when I feel deep melancholy- a feeling that, though part of life, I wish I could just ‘pray my way out of ‘ but can’t. So instead, I just ‘create my way out of it’.

For this reason, I realized that I draw to be able to forgive too because I’m usually sad when someone hurts me. I momentarily forget about the pain when I’m able to concentrate all my thoughts and emotions in the process of creating art-

– When I draw I tend to think of something else…go to another world…whether fiction or not, I don’t care…as long as it’s not here- my real life. I create lines/shadows over and over again until I get tired and accept the fact that it’s over. Usually, this is the same time when sadness drastically turns into anger until I realize that I can’t keep hating someone forever so the feeling of self pity strikes in. As I continue on forming figures these feelings subsides and then gradually turns back into sadness.

I choose to forgive this way but that does not mean I could just choose to forget what was done to me…that is just not possible.

“Your memory is a monster; you forget – it doesn’t. It simply files things away; it keep things for you, or hides things from you. Your memory summons things to your recall with a will of its own. You imagine you have a memory, but your memory has you.” – (In One Person by John Irving)

No matter what, as long as I have a pencil and paper in my hands I can choose to draw rather than focus on this feeling of immeasurable pain brought by my ‘uncontrollable’ memory. Should one day the finished piece would remind me of what I felt when I was making it, that is “OK” because it serves also a proof that I was able to overcome that miserable part of my life and “laugh” about it now.

As artists, we presume that all the artworks we make are our favorites but, whether we admit it or not, there are those which really stands out for us. Pieces we could spend a day looking at…pieces which brings a lot of memories…pieces which we understand far beyond the audience does…pieces which we find very hard to “let go” – mine are those that I usually made from sad memories which would somehow be translated as portraits and, most recently, as landscapes as well.

The Places series is a collection of architectural landscapes pieces, in different styles, which ‘I’ve been to’ and ‘dream of going to someday’. What the audience doesn’t know, until now, is that those pieces “I’ve been to’ included on this series are of places that ‘I would rather forget’ due to personal reasons.

Since every piece is unique, to read about the description of each piece, kindly click on the corresponding Facebook link below (“Places” album) so as to avoid making this blog any “longer” 😉

https://www.facebook.com/media/set/?set=a.739950812786497.1073741833.125692274212357&type=1

But why do we end up creating something tangible out of those feelings we would rather forget? – because ‘we have to’…WE MUST.

That is what creators do.

Otherwise, we could always end up doing something else instead of creating like those who just ‘drink and/or wallow their way out of things’.

*** The image (Manila Cathedral) I used on this blog is the 2’nd piece of my PLACES series ****

*** Why ‘I’ Make Art ***
50% – reuniting and recording of one’s thoughts, feelings, and memories
20% – to connect
15% – to communicate
10% – adventure, fun and enjoyment
5% – money

 

Biography

What if?’ will always be the question Ann Supan tends to ask herself every now and then. She is an Engineering graduate who knows she wanted to be an artist since she was 10 years old. She is a Filipina visual artist who loves to draw and likes reading as much as travelling. Her main interest in art is portraiture as it is her ambition to express beauty and emotion on her work. She focuses mainly on likeness as her technique and style is simple. Recently, she has been making ‘dual portrayal’ portraits in order to make her work ‘thought provoking’ as well.

She specializes in traditional drawing in the categories of figure drawing, illustration and shading using graphite and charcoal as her main medium. She also likes to use different mediums as shown on her selective impressionistic pieces.

Through years of practice and experimentations her artworks now revolves around on both realistic and impressionistic form.

https://twitter.com/Sketchbook0918

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*FreeSpace offers 3 post slots on ArtiPeeps to any creative or group. They can be taken in a cluster or over a period of months for showcasing, projects (encouraged) or self expression. If you’re interested in FreeSpace do get in touch via the reply box on this post or the contact form on the What’s On page. 

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“Art between HAPPINESS and MEANING” by artist Ann Supan (FreeSpace #2)

23 Apr

CONFUSED

CONFUSED by Ann Supan 

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“Art between HAPPINESS and MEANING”

” Unhappy men are all alike. Some wound they suffered long ago, some wished denied, some blow to pride, some kindling spark of love put away by scorn – or worse indifference – cleaves to them, or they to it, and so they live each day within a shroud of yesterdays. The happy man does not look back. He doesn’t look ahead. He lives in the present.

But there’s the rub. The present can never deliver one thing: meaning. The ways of happiness and meaning are not the same. To find happiness, a man need only live in the moment; he need only live for the moment. But if he wants meaning – the meaning of his dreams, his secrets, his life – a man must reinhabit his past, however dark, and live for the future however uncertain. Thus nature dangles happiness and meaning before us all, insisting only that we choose between them. ”  (The Interpretation of Murder by Jed Rubenfeld)

I interpret the word “insisting” on above quotation as an implication that even though nature may “insist” for us to choose between HAPPINESS and MEANING, it does not mean that it’s “impossible” for us to have both.

I think that I cannot “always” have both HAPPINESS and MEANING at the same time but as long as I can find MEANING in my life, I know I’ll find HAPPINESS there too “at certain times” no matter how brief or long it lasts.

I know I am happy whenever I make a piece of art simply because I enjoy doing it…but what does that mean? It means…

– not having enough time for other things which may affect my relationship with others because they don’t understand my passion (this includes taking time to make something that is not actually paid for…some people with full time regular paying jobs just don’t understand that).

– giving people more reasons to criticize me.

– putting my ideas at risk because I cannot be an artist by just locking myself in a room drawing all day. Sharing art in the real word is, indeed, “a double edge sword.”

– doubting myself and my artistic abilities because, the truth is, I am not the “best artist” in the world (if there is such a person as “art is subjective”). I am not ashamed to admit that as I know for a fact that there are a lot of great artists out there (living or dead).

– always having the fear of “failing” at what I’ve always thought I am born to do in this world – to be an artist

Despite all this, if I must choose, I’ll choose MEANING as I’m certain that I cannot totally “just” be happy. I believe, just like any other feelings ( e.g. sadness, grief, etc.), HAPPINESS too shall pass…it always does. MEANING, on the other hand, is definite as it gives us purpose…the reason to live “no matter what”. I would rather know that there is a meaning for ALL  the things I’ve been through in life than to be a happy person by ignoring my past that I cannot “just” forget.

However, though I choose MEANING, I don’t live in the present “entirely” for the benefit of my future because for all I know I may die today. I honestly do not desire a longer life. I just want to “live” the life I’m given by learning from my past and doing the best I can with what I have until the day I stop breathing (period).

The SHADOWS series is a collection of portraits intending to show emotions  OTHER than those typical portrayal of  complete happiness and joy as I hope to convey those I believe are “meaningful” part of someone’s life.

As every piece is unique, to read about the description of each piece, kindly click on the corresponding Facebook link below ( “Playing with SHADOWS” album) so as to avoid making this blog any “longer” 😉

https://www.facebook.com/media/set/?set=a.603474029767510.1073741830.125692274212357&type=3

***The image (CONFUSED) I used on this blog is the 17’th piece of my SHADOWS series ****

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Ann will be returning for her third FreeSpace on Thursday 21st May. She is one of the artists to be exhibited in our The Nine Realms  combined arts experience this  September in King’s Lynn, Norfolk.

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Biography

What if?’ will always be the question Ann Supan tends to ask herself every now and then. She is an Engineering graduate who knows she wanted to be an artist since she was 10 years old. She is a Filipina visual artist who loves to draw and likes reading as much as travelling. Her main interest in art is portraiture as it is her ambition to express beauty and emotion on her work. She focuses mainly on likeness as her technique and style is simple. Recently, she has been making ‘dual portrayal’ portraits in order to make her work ‘thought provoking’ as well.

She specializes in traditional drawing in the categories of figure drawing, illustration and shading using graphite and charcoal as her main medium. She also likes to use different mediums as shown on her selective impressionistic pieces.

Through years of practice and experimentations her artworks now revolves around on both realistic and impressionistic form.

https://twitter.com/Sketchbook0918

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*FreeSpace offers 3 post slots on ArtiPeeps to any creative or group. They can be taken in a cluster or over a period of months for showcasing, projects (encouraged) or self expression. If you’re interested in FreeSpace do get in touch via the reply box on this post or the contact form on the What’s On page. 

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Please do check out our Indiegogo Crowdfunding Campaign: 

http://igg.me/at/the9realms

Vikings Ahoy! The Nine Realms Update (April)

2 Apr

nine realms8

19 poets, 22 artists, 3 musicians and a Viking Boat

 Vikings Ahoy! 

Our Indiedgogo Campaign

The previous month or so has been filled with lots of preparation for the launch of our Indiegogo Campaign to raise funds for the commissioning costs of the 50 cm x 80 cm Carved Viking boat that woodcarver Mark Crowley is going to be LIVE CARVING for us from his studio in Newcastle.

We shall be launching our campaign on Monday 20th April!  I’ve been busy creating  our campaign video, and I am now putting the final touches to our Campaign Page and starting to show it to people. Over Easter I shall create a  special Campaign page for this site. So please do watch out for the launch, and consider supporting us and our boat!

It’s going to be very exciting to see the boat emerge from within the oak wood that Mark has chosen. The boat will act as the focal point of our poetry readings and realm tours.

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Competitions

This year we are also running 4 Twitter competitions attached to our campaign. Two poetry-led ones, one fiction, and one art. They will be run by Vikings : Shirley Golden, James Mackenzie, Kate Garrett (and myself) and Jim C. Mackintosh. We will release the competition dates and details after Easter. There will be some really original ‘The Nine Realms’ prizes attached.

 

Art work:

Although the deadline for all project art isn’t until the 30th April, three great pieces have already come in. From artists:  Ann Supan, Robert Fitzmaurice and  Chad Swanson.  Here they are:

This slideshow requires JavaScript.

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All three pictures have great impact and are going to compliment the realm poetry powerfully. For Ann, it will be her first ever exhibition experience, and for Chad his first UK exhibition. I’m so thrilled to have them both involved.  

As some of the artwork came in early we could also create our first poetry-art greetings card in readiness for the campaign.  A pack of three different cards will be one of our rewards.  Rob’s Nifelheim piece was chosen, and paired with a poem by Realm poet  Tom Murphy called ‘Nifelheim’. You can listen to Tom reading his poem below:

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Please click on the image to enlarge.

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Future Radio

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The Nine Realms DVD

I went to  Future Radio last week, the community radio station we are working with in Norwich, and we have finalised two dates when we will begin to edit together the poetry mp3, paintings and music, and create an event DVD. This is something we will do steadily until the deadline at the end of June, which is when the master file has to be with the Disk Manufacturers.

Interviews with Poets and Artists

I have also been in contact with the arts programme producer at Future Radio and we are presently working out how we shall promote our campaign through their programmes, whilst also creating opportunities within which the Viking poets, artists and musicians  can be interviewed and talk about their work.

Some of our rewards will also include backer poems and songs and will be aired on Future Radio, which should be great! 

At the moment lots of the tiny threads of the project are being pulled together which is exciting, but also a little bit nerve wracking. The thought of the boat being carved, and how the crowdfunding pulls the collective together is an ongoing salve. And whenever I think about our collective, and the notion of collective endeavour, I am always pulled towards the beginning of a quote by Henry James which I have returned to again and again over the years:

‘Experience is never limited, and it is never complete; it is an immense sensibility, a kind-of huge spider-web of the finest silken threads…’

Over the next few weeks up until the launch of our campaign those ‘finest threads’ are coming together and becoming an immense sensibility! And that all feels pretty wondrous, I have to say…

Thank you very much indeed for your interest,  and have a Happy Easter-all. There will be another update next week.

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Viking Nicky

The Nine Realms HQ

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More details about The Nine Realms

‘Self Portrait between Reputation and Character’ by artist Ann Supan (FreeSpace #1)

19 Mar

SURRENDER HD

 I SURRENDER by Ann Supan 

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Self Portrait between Reputation and Character

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It has always been my ambition to become a portrait artist. However, as a self taught artist and someone who prefers to be alone, I still find it so hard to make a self portrait.

“You cannot lay bare your private soul and look at it. You are too much ashamed of yourself. It is too disgusting. For that reason I confine myself to drawing portraits of others.” – Mark Twain

To make a portrait of someone else, in my opinion, is easier because you are making it with the knowledge of capturing how someone looks like and feel at that moment alone. Where in people, on such cases, “choose to” put on a face they think is the one they would like to show the world.

Of course, I could also choose to do this but I find it so difficult to pretend and draw at the same time especially if my intention is to make my own portrait as real as possible. No one knows best the real me besides myself. Knowing this, it hinders my intention to capture “all of me”, if that is even possible, in just one piece of art. I have to find another way.

I then realized that though a “face” can be deceiving…”hands” cannot.

In fact, our hands can tell a lot about ourselves. From our palm lines to the size and shape of our hands, each part holds a special meaning that is specific only to us and our personality. A form of art known as Palmistry is actually the art of telling the future through the study of the palm and it can also teach us a lot about our CHARACTER.

“If you look deeply into the palm of your hand, you will see your parents and all generations of your ancestors. All of them are alive in this moment. Each is present in your body. You are the continuation of these people.” – Thich Nhat Hanh

You see –
– Faces shows “what we choose to look like” to control of what others thinks of us – our REPUTATION
– Hands shows “who we are” – our CHARACTER

Bear in mind that Reputation and Character are two very different things. REPUTATION is that which people are believed to be; CHARACTER is that which people are!

Like Thomas Paine said –
“Reputation is what men and women think of us; character is what God and angels know of us.”

The Vanity project shows and/or includes my hand/s in each piece as my own rendition of a self portrait because I choose to show who I really am through every lines of my hands.

I honestly think that this project does not end here as I love drawing hands – I will be creating more as I go along with my life.

As every piece is unique, to read about the description of each piece, kindly click on the Fine Art America’s “The Vanity Project Gallery” link below so as to avoid making this blog any longer 😉

http://fineartamerica.com/profiles/ann-supan.html?tab=artworkgalleries&artworkgalleryid=474860

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Ann will be returning for her second FreeSpace on Thursday 23rd April. She is one of the artists to be exhibited in our The Nine Realms  combined arts experience this  September in King’s Lynn, Norfolk.

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Biography

What if?’ will always be the question Ann Supan tends to ask herself every now and then. She is an Engineering graduate who knows she wanted to be an artist since she was 10 years old. She is a Filipina visual artist who loves to draw and likes reading as much as traveling. Her main interest in art is portraiture as it is her ambition to express beauty and emotion on her work. She focuses mainly on likeness as her technique and style is simple. Recently, she has been making ‘dual portrayal’ portraits in order to make her work ‘thought provoking’ as well.

She specializes in traditional drawing in the categories of figure drawing, illustration and shading using graphite and charcoal as her main medium. She also likes to use different mediums as shown on her selective impressionistic pieces.

Through years of practice and experimentations her artworks now revolves around on both realistic and impressionistic form.

https://twitter.com/Sketchbook0918

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*FreeSpace offers 3 post slots on ArtiPeeps to any creative or group. They can be taken in a cluster or over a period of months for showcasing, projects (encouraged) or self expression. If you’re interested in FreeSpace do get in touch via the reply box on this post or the contact form on the What’s On page. 

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