Tag Archives: Artists

FreeSpace #3 Nat Hall and Lili Morgan: On the theme of ‘Music’

21 Oct

Here’s the last  ‘FreeSpace’ Collaborations put together by poet Nat Hall and artist Lili Morgan inspired by the theme of  ‘Music’.  This time Lili was inspired to create by Pavarotti and his classic version of Nessun Dorma  (See here) .  Lili passed her work onto Nat who produced the poem below in response. 

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Music Collab 2

 

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none shall sleep

by Nat Hall

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below the drapes of green & gold,
below the thirsty Hunter’s moon,
………..below the stars’ dancing eyelids;

above the turmoil of each tide,
above that thin layer of mist,
………..above the edge of your canvas –

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in between my eyes & your shore,
in between now and Aquilla,
………..in between sheets of the north wind,
………………………………………………………..we shall not sleep

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below blotched dots of question marks,
above my doubt-rocking silence,
………………….in between words we never said

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en-dessous des feuilles d’érable,
en-dessus des giffles du sel,
…………………entre les dentelles du désir,

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………………………………………………nous ne nous endormirons pas
………mais dans la chaleur de septembre,
dans l’azur de ton crépuscule,
regarde-moi le coeur en face et
dis-moi qu’on y fait
son lit.

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© Nat Hall 2013

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You can find out more about Nat and her work here:

http://nordicblackbird.weebly.com/index.html

or follow Nat on Twitter here:

https://twitter.com/nordicblackbird

You can follow Lili  on Twitter here:

https://twitter.com/LiliMorganArt

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Beauty, Deformation and Monsters # 3

16 Oct

Deformity

 Lydia Allison our ‘Writer In Residence’ for the month of October.

..and the ever-changing Halloween Monster!

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

____________________

Here’s the third of five poems on deformation by Lydia Allison illustrated this week by artist Diana Probst (See her biography below). You’ll also find the third instalment of our ever-morphing, dastardly collaborative monster. This drawing is being collectively produced and passed from artist-to artist week-by-week- all contributing to one image.

The artists collaborating in Lydia’s project alongside Diana are Gary Caldwell (whose art work went out in our first post here) and Amanda Santos (whose art work went out last week here) and Sara Mena (whose art work is still to come).

So….each week you’ll be presented with a new poem and two new images/artworks (one illustration & one growing monster). You’ll be introduced to each artist as we go along too.

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Cauliflower Heart

Please do click on the image to enlarge

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Cauliflower Heart

by Lydia Allison

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You see them, don’t you?
These little scars just below
where my bra sits?
In the right light they shine like new
You noticed my fingers
blackened at the tips
nails hard
feeling gone

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I know, I’m trying not to slouch, but
can’t you see the ropes?
Woven thick
and reaching
down?
All these tendons from tired knee
to toe are old rubber bands
I can’t reach any more
stretch…….. leap……fall
best foot worn

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these stitches run like ladders pulling holes
but not everyone can see like you
they see: red wine purple teeth
cheshire cat grin
but not the split fruit skin,
and under it all
the hard tissue grows.

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Writer’s Biography

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

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Artist’s Biography:

 Diana is a young artist in Cambridge, who is continually surprised that people will pay her to do what she loves.  She likes beer and being paid on time.  She has illustrated two books and a lot of bits of paper.  She wants to paint portraits, takes commissions, and drinks tea like it is water.

http://dianaprobst.com/

https://twitter.com/DianaProbst

You can find more of Diana’s art in a previous feature on ArtiPeeps, Ask An Artist.

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The Monster:

with Diana’s additions

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grand_monster

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The monster was passed to Sara Mena today. She’s fiddling with his appendages as we speak….

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Lydia’s next poem will be out on ArtiPeeps next week-Thursday 24th October.  You can also check-in then and  see what stage our cheery monster is at too!  

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As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

Beauty, Deformation and Monsters # 2

10 Oct

Deformity

 Lydia Allison our ‘Writer In Residence’ for the month of October.

..and the ever-changing Halloween Monster!

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

____________________

Here’s the second of five poems on deformation by Lydia Allison illustrated by emerging Artist Amanda Santos (See her biography below), and the second instalment of our ever-morphing, dastardly collaborative monster. This drawing is being  collaboratively produced and passed from artist-to artist week-by-week all contributing to one image.

The artists collaborating in Lydia’s project alongside Amanda are Gary Caldwell (whose work went out in our first post here) and Diana Probst and Sara Mena (whose work is to come). So….each week you’ll be presented with a new poem and two new images/artworks (one illustration & one growing monster) and you’ll also be introduced to each artist.

______

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Blood Gold by Amanda Santos

Please do click on the image to enlarge

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Blood Gold

by Lydia Allison

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it drags the veins as it flushes and trudges
heavy and sludgy, it reminds you
of energy and time and waste

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it weighs
and stretches the fibres
the skin
until she is numb
and unable to see
the leaves that shimmered
now gather around the rich tree root trunk of her heart
like cholesterol snagging in corners
and shutting valves like doors.

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the key
a bright speck that navigates the brain
or abides in the green retina of the left eye
he noticed once

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and hurts? can you not know?

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it hurts
it makes her shine
and now it pools
a small dam low
in her chest

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it pools
small sac by sac
so when she breathes
it’s cold and half dead
and tastes
like blood

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Writer’s Biography

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

Artist’s Biography:

 “Hi, my name is Amanda Santos. I’m a junior in High School, and I only really got involved in art a year ago in my Art I class. Since then I have tried to learn everything that I possibly can about every type of art that I could find. I am still trying to find a style and a voice in the artistic world, but I’m on my way.”

https://twitter.com/AmandaS5454

You can find more of Amanda’s art in a previous collaboration on ArtiPeeps, Interactions and Intersections.

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The Monster .

with Amanda’s additions

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Amanda's monster (2)

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The monster was passed to Diana Probst today. She’s shaping the monster as we speak….

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Lydia’s next poem will be out on ArtiPeeps next week-Wednesday 16th October.  You can also check-in then and  see what stage our cheery monster is at too!  

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As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

‘Neon Power’: The Journals of Lili Morgan #11 (Emerging Abstract Neon Artist)

3 Oct

Revolution Green

Eight months have gone by since Lili left her Visitor Peep/Artist In Residence position but now she has returned once again for a regular monthly journal-spot until the end of 2014. As usual Lili will be taking us along with her on her painterly journey and the development of her work with ‘neons’.  

This week Lili has been visiting another artist….

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Well it’s journal time again, and it has been a little while since my last instalment. The time certainly does fly when you are having fun!

At the moment, I am doing my collaboration with the lovely poet Nat Hall. The theme for the collaboration is music. This time I have chosen the song, and I will be doing my picture first. Then Nat will put her magic pen to paper, to produce a wonderful poem. I have chosen, ‘Nessun Dorma’ by Pavarotti. It is a very powerful and highly dramatic piece of music, which I personally love. My daughter, however, disagrees and told me it was giving her a headache whilst I was listening to it recently!… Ohh the cheek! I will be finishing my picture sometime this week, as poor Nat has been waiting patiently for it! Sorry Nat I haven’t forgotten!

In my last journal, I mentioned that I was going to be visiting Margate, and that I did last weekend. I had the most fabulous time there! I went there to visit my lovely friend, Michelle, who owns @Deli-o-licious in Cliftonville. She sells the best baguettes, and hot food, in the whole of Margate!…Oh, and the best fish as well! 😉

So, on Saturday evening we decided to do a bit of sight- seeing. This consisted of watching the sea from the terrace of The Rickus bar. It was a lovely sight to see indeed, was the sea! Oh, and they just happened, by chance, to be selling cocktails there as well 😉

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PaperArtist_2013-09-30_22-07-26 Picture 1

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I also mentioned that I was hoping to connect with other Artists during my visit to Margate, and on the Sunday whilst I was there, I was certainly not disappointed. My visit also coincided with the unveiling of the latest project by Alex Chinneck  (@Alex Chinneck), called ‘From the knees of my nose to the belly of my toes. Alex has obtained permission from Thanet District Council to use a previously empty house at 1, Godwin Road, Cliftonville for this project. He has literally transformed the front of the house to make it appear as if it has slipped down into the garden. The room at the top is exposed, and the rest curves down with the front door in the front garden. Goodness, my description is pretty rubbish, and you are certainly not going to get any idea of this brilliant installation by my words alone. Here are a couple of pictures that I took of the house.

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Picture 2 20130929_124809

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Picture 3 Lili

 

That is so much better now that you can actually see it! There is a bit of a story behind the second picture. In my endeavour to get a picture of the house, I went to the side of it. There was a man and a woman standing on the corner slightly blocking my shot. So, being my usual cheeky self I asked them to move. It turned out they were Councillor Iris Johnston (sorry I called you Eileen!), and Councillor Doug Clark (sorry I made you move when you have a walking stick, and you were leaning on the wall for support. I still feel bad about that!) They were both really nice and moved for me. Here is a picture of them, along with Councillor Clive Hart, who luckily, I do not need to apologise to for anything!

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Picture 4

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Well, even after I had called Iris by the wrong name, she offered to introduce me to Alex Chinneck himself! Of course I agreed, as meeting Alex was the icing on the cake, and I had not expected to get the opportunity to meet him. Well, Alex was lovely! He was very humble about the project, and took his time to have a chat with me. He even agreed for me to take a picture. Here he is in front of the house looking very dapper indeed!

 Picture 3520130929_124212

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Now as I said Alex was very humble. However, I had a little sneaky little look on his website which shows the plans to this project and they are very, very detailed. If you go to www.alexchinneck.com then you can see how much hard work has gone into this project for yourself. It is also worth taking a look at his past and future projects on there as well.

So finally, if you are heading down to Margate, Cliftonville is now the place to go. You can visit 1, Godwin Road to see this amazing piece of art by Alex Chinneck, whilst munching on a baguette from @Deli-o-licious. Now that sounds like an excellent plan to me! 🙂

Bye for now,

Take care,

Lili X

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You can follow Lili and her neons on Twitter here:

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Why not also …
  •  catch up with our present ‘Writer In Residence’ for October poet  Lydia Allison and her collaborative project on notions of deformity here.
  • catch up with our last ‘Artist In Residence’ Project ‘Interactions and Intersections’ with artist Kelly Occhiuzzo, You can find out more here, here, here, here and here.
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Beauty, Deformation and Monsters #1

1 Oct

Deformity

Introducing Lydia Allison our ‘Writer In Residence’ for the month of October.

..and The Monster!

I approached Lydia a while ago proposing that she could maybe take up a month long residency on ArtiPeeps and to my delight she said yes! It was Lydia who then came up with the idea of focusing on notions of deformity as she had written a number of poems about it. When I asked Lydia the question, ‘why deformity?’, this is what she said about her interest:

‘I often just write what I feel. I have a real interest in physicality/beauty/deformity as I think image impacts on everyone.  I’m particularly interested in how people see themselves and how that influences their appearance or physicality subconsciously/metaphorically in terms of their feeling or actively by self harm/eating disorders. And I’m interested in perceptions of beauty and body dysmorphia’.

And this is what Lydia said about herself too:

‘I’ve been writing for a couple of years and am currently in my final year of my BA in Creative Writing. Two years ago I thought it would be a miracle for me to string lines into poetry, but quickly fell in love with it and proved myself wrong. My real passion lies between the border of poetry and prose.’

It was very clear that Lydia could ‘string lines into poetry’ and she produced 4 poems focused around the body or parts of the body. We decided that it would be wonderful if these poems could be illustrated and, because Halloween is a coming, for the artists involved  to use the parts of the body fleshed out within her poems to inspire a Collaborative Halloween Monster too.

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So what you’ll find for the next four weeks is one poem of Lydia’s illustrated by an artist each week and an ever- growing, ghastly Monster being created alongside it;  the nature of which, will gradually emerge bit by bit.  

This drawing will be collaboratively produced and passed from artist-to artist week-by-week all contributing to one image. The artists collaborating in Lydia’s project are Gary Caldwell, Amanda Santos, Diana Probst and Sara Mena. Each week you’ll be presented with a new poem and two new images/artworks (one illustration & one growing monster) and you’ll also be introduced to each artist.

Today’s images have been created by artist and illustrator Gary Caldwell who is currently living and working in Aberdeen, Scotland. Indeed Gary is also responsible for our ArtiPeeps logo on the sidebar. His graphics are always striking. 

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Print

You can find more of Gary’s art via http://www.flowland.co.uk/Contact

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Most People Start With The Skin

by Lydia Allison

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like back-washing a canvas
it is much easier to go brighter
or darker.
Try to remain as plain and smooth
as possible – make yourself
not like yourself
– do you want to stick out?

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If they can tell you’re flesh and fibres
that you have pores
you sweat
think
eat mayonnaise
you have lost.

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Learn to laugh
right
and to smile
right
how to talk
eat
who to like
OK
what to say
OK

and once you are there
consider all of them
consider yourself
disguised.

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lydiaallison.wordpress.com

https://twitter.com/LydiaAllison13

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The Monster

The head

Print

The monster’s head was passed to Amanda Santos yesterday. She’s adding body parts as we speak….

Lydia’s next poem will be out on ArtiPeeps next week- Thursday 10th October.  You can also check-in and  see what stage our cheery monster is at too!  

As always, your responses to either Lydia’s poetry or the art that has been created would be very much welcomed!!

FreeSpace #2 Nat Hall and Lili Morgan: On the theme of ‘Music’

14 Aug

Here’s the second of 3 ‘FreeSpace’ Collaborations put together by poet Nat Hall and artist Lili Morgan inspired by the theme of  ‘Music’.  Nat’s poem was passed to Lili to provide her with the inspiration for her painting below. We hope you enjoy it!

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In memoriam, Giuseppe Verdi*

L’homme qui plantait des notes

(The Man Who Planted Notes)

Feel dawn.

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In between two juniper trees,
lingering mist & wild fennel,
I hear songbirds pronounce his name.
Songthrush,
la grive musicienne,
found in a pine a pedestal
to celebrate the musician – Melodious,
Orphean, warblers in olive groves in need of a maestro.

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Breathe in sunrise.

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On every hill,
where shepherds drive ash-coloured herds to
the sound of footsteps & fifres*,
ascending scent of morning dew connects his dreams to land & thyme.
Hear the wingbeat of the gerfaut*
inside still rows of lavender,
Mistral waking
between
roof tiles & Mourre Nègre*

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where evergreen oaks through
their leaves echo the song of hidden streams,
and acorns shape notes on
score sheets.

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La force du destin*,

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Ugolin’s love* behind shutters,
…………the great symphony has begun.

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© Nat Hall 2013

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Notes:

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*Giuseppe Verdi, on his 200th Birthday (1813-2013). Italian Romantic composer & most influential of
his century. Composer of many operas, whose work includes La Forza del Destino, 10 Nov 1862.

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*fifre(s): fife(s), in homage to Jean Giono’s Le Serpent d’Etoiles / The Serpent of Stars (1933)

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*gerfaut: gyrfalcon, in homage to Alphonse Daudet’s La Chèvre de Monsieur Seguin, from Les Lettres
de Mon Moulin / Letters From My Windmill (1869)

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*Mourre Nègre: Highest summit (3691ft, 1125m) from The Grand Luberon Mountain, Vaucluse,
Provence, France. Jean Giono nicknamed it “the blue whale/la baleine bleue”)

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*La Force du destin/ La Forza del Destino – Ouverture, by Giuseppe Verdi, who inspired (in turn)Jean-
Claude Petit’s Theme of Jean de Florette for the 1986 film by Claude Berri, Jean de Florette/Manon
des Sources.

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*Ugolin: Marcel Pagnol’s character, from the two-part novel, Jean de Florette & Manon des Sources
(1963)

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FreeSpace 2.3

‘The Man Who Planted Notes’ by Lili Morgan painted in response to Nat’s poem above

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You can find out more about Nat and her work here:

http://nordicblackbird.weebly.com/index.html

or follow Nat on Twitter here:

https://twitter.com/nordicblackbird

You can follow Lili  on Twitter here:

https://twitter.com/LiliMorganArt

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‘Neon Power’: The Journals of Lili Morgan #10 (Emerging Abstract Neon Artist)

8 Aug

Revolution Green

Several months have gone by  since Lili left her Visitor Peep/Artist In Residence position, and now she has returned for her regular fortnightly blog-spot. Lili will be taking us along with her on her painterly journey and the development of her work with ‘neons’. While Lili’s with us we’ll also be setting her up with a mini- collaboration and Lili will have access to mentoring if needed.

 Here’s Lili:

_________________________

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Wednesday 7th August

Hiya!

It’s journal time again and unfortunately I am back home from a lovely holiday in Spain visiting my Mother who lives in Mazarron close to Murcia.
 
Before my visit I was told that there is a residing artist at Port Mazarron who I decided to visit whilst there. His name is Enrique Olivares and he was most welcoming. He has a bar called “Museo Olivares” which is full to the brim with his abstract pictures. I really liked his artwork and he allowed me to take some photos which I thought I would share with you.
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This slideshow requires JavaScript.

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 You can also see more of his art on his Facebook page Museo Olivares
 
 Due to the language barrier I couldn’t tell him that I write this journal, but I will be attempting to send this to him translated into Spanish. We did manage to communicate a little via my Mother and he has invited me to exhibit some of my pictures there in a few months time. This of course will mean that I will have to return there. Ah! What a chore!……Not! 
So I am very happy about that indeed 🙂
 
Back to here and now. I am focusing on my next collaboration with the lovely poet Nat Hall which will be featured on here Wednesday 14th August. Nat has yet again excelled with her poem, so I am forming ideas for my picture and I plan to paint it very soon.
 
I also mentioned in my last journal that I am planning a visit to Margate very soon. I am hoping to connect with some of the residing artists there which I am looking forward to. I am hoping to schedule the visit sometime in September, so I will keep you posted on my progress.
 
Well that is my news for now. I hope you like Enrique’s pictures as much as I do. 
 
Until next time.
 
Bye bye,
 
Lili X

 

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If you want to see more of Lili’s journaling and path you can find her lurking under the Visitor Peep Tab on our site menu.
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Or you can follow Lili on Twitter here:
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Equally, you can find out about our last Visitor Peep Project ‘Interactions and Intersections’ with artist Kelly Occhiuzzo, You can find out more here, here, here, here and here.
>>>>

 

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‘Neon Power’: The Journals of Lili Morgan #9 (Emerging Abstract Neon Artist)

11 Jul

Revolution Green

Several months have gone by  since Lili left her Visitor Peep/Artist In Residence position, and now she has returned for her regular fortnightly blog-spot. Lili will be taking us along with her on her painterly journey and the development of her work with ‘neons’. While Lili’s with us we’ll also be setting her up with a mini- collaboration and Lili will have access to mentoring if needed.

 Here’s Lili:

_________________________

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Wednesday 10th July

” As usual the last two weeks have flown by, but this time, in a haze of sunshine!

 I have finished 0511 which I decided to save to share on here. I am quite pleased with it, as the fireworks really stick out. I used thick white acrylic for them and painted them over with the uv paint. It is lovely when an experiment turns out satisfactorily!
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0511 Neoned

0511 by Lilli Morgan (with Neons)

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 I also completed my collaborative picture with the lovely poet Nat Hall. I expect you can now understand why I described her poem called ‘Prelude’ as beautiful! She is certainly very talented. My picture included some gold, which unfortunately didn’t show up under the UV light. It was quite a busy picture with moons, and dancing neons, and a red haze which represented the static of the music. The gold was supposed to represent the angels, but never mind, I guess that when the angels are around us, we don’t always see them.
>>>>>
LilliNat4

Prelude by Lili Morgan inspired by a poem of the same name by Nat Hall

Here’s the link to the poem

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I have decided that I am going to take on a more minimal approach to my painting. I will share some with you when they are finished.
>>>>>
 This is my last journal before I go on holiday to Spain. I have family there and they have told me that there is an artist that sells his pictures in a bar in Port Mazarron which is literally a 10 minute walk from where I will be staying. I am going to go to see his pictures and if he will let me I will take some photos to show you.
>>>>
 Also, with the theme of travel, I have a very dear friend who lives in Margate that I am going to visit on my return from Spain. Margate has a very exciting emerging art scene, so it will be good to connect with other artists whilst I am there, and to visit some galleries and The Turner Contemporary. I have been to TC once before on a previous visit and they were exhibiting some work by Tracey Emin. I found her art very emotional. I think she had done her art for the exhibition when she had split up with a partner, and I left feeling very sad for her. I hope she is feeling happier now!”
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 I will keep you updated on my next visit, and hopefully share some photos with you.
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 Anyway, time for me to go and I will catch up with you again on my return from Sunny Spain!
>>>>
 Adios,
Lili X
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If you want to see more of Lili’s journaling and path you can find her lurking under the Visitor Peep Tab on our site menu.
>>>>
Or you can follow Lili on Twitter here:
>>>>>
>>>>>
Equally, you can find out about our last Visitor Peep Project ‘Interactions and Intersections’ with artist Kelly Occhiuzzo, You can find out more here, here, here, here and here.
>>>>

 

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FreeSpace #1 Nat Hall and Lili Morgan: On the theme of ‘Music’

3 Jul

Here’s the first of 3 ‘FreeSpace’ Collaborations put together by poet Nat Hall and artist Lili Morgan inspired by the theme of  ‘Music’.  Nat’s poem was passed to Lili to provide her with the inspiration for her painting below. We hope you enjoy it!

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PRELUDE

>>>>>
Every colour holds its own notes.
>>>>>>>>>>>>>>>>>>>>>It takes the Moon to know my mood…
>>>>>>>>>>>>>>>Triads of tarnished red in gold,
>>>>>>>>>Debussy defined

>>>Clair de Lune.
Silver
tiara invisible,
I hold your canvas
with white
clefs,
as dusk
revives melancholy –
the other side of the mirror,
Frederic’s tears in arpeggios, Franz’s own
rage in minuets.

>>>>>>>>>>>>>>>>>>>>>>>>
Or is it just a magic spell?

>>>>>
>>One woman’s work clad in scarlet?
>>>>>>>          She raves and twangs to
>>>>>>>>>>>>>    >>>>>>guitar & harmonica,
>>>>>>>>>>>>>>>>>>>>>      >sits at the piano with angels and
            splashes sounds around the house as a painter would never dream…
There’s a blackbird inside her heart.
I hear colours sigh in darkness,
as fingers caress her
keyboard.

>>>>>>>
Sing me the songs
>>>>>>from your palette,
>>>>>>>>>>>toute la matière du monde.

>>>>>>>
It takes one Moon to know my mood,

>>>>>>>>
It takes
>>one wrist
>>>>>to splash it round;
>>>>>>>>>>one set of notes
>>>>>>>>>>>>>>>to light it up,
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>one set of drums
>>>>>>>>>>>>>>>>>>for the musical rendez-vous.

>>>>>>

© Nat Hall 2013

Here are the links to the pieces of music  that inspired the poem Prelude:

Claire De Lune by Debussy, Mazurka in A by Chopin, Liebstraum No.3 in A flat major by Liszt, Among Angels and Rubberband Girl by Kate Bush

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LilliNat4>>>>>>

Prelude by Lili Morgan, in response to Nat Hall’s poem Prelude

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‘Neon Power’: The Journals of Lili Morgan #8 (Emerging Abstract Neon Artist)

27 Jun

Revolution Green

Several months have gone by  since Lili left her Visitor Peep/Artist In Residence position, and now she has returned for her regular fortnightly blog-spot. Lili will be taking us along with her on her painterly journey and the development of her work with ‘neons’. While Lili’s with us we’ll also be setting her up with a mini- collaboration and Lili will have access to mentoring if needed.

 Here’s Lili:

_________________________

>>>>

Wednesday 26th June

“Yay it’s journal time!

I haven’t been up to too much in the last couple of weeks really. I am in the process of painting another picture called 0511, as it looks like fireworks. I have taken a sneak preview picture to show you. The white firework bits are very raised on the canvas, so some aren’t quite dry yet to paint over. I am hoping that they will glow nicely. I will post the finished piece lit up by the UV light on my twitter account in the next couple of days @LiliMorganArt and also in my next journal.
>>>>>>>
0511 by Lili Morgan
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I am also working on my collaboration with Nat Hall that will be featured on ArtiPeeps on Wednesday 3rd July. I can only tell you that there is red, gold and perhaps a moon involved! Ohhhhhh!!! 😉
>>>>
I also bought a blank puzzle today, which I thought would look rather nice painted on and framed. I will post a picture of it once it is completed.
>>>>
I have been researching quite a bit over the last couple of weeks, as I have a few other future ideas where to go with my UV art. I am going on holiday in July, so that will also be an ideal time to brainstorm whilst on the beach!
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Things are coming together nicely and I have also confirmed my involvement in the Transformations Poetry collaboration, which is going to be part of an exhibition in Norfolk in 2014 and also be turned into a book. The theme is Ovid’s ‘Metamorphoses. More details of that as and when I find out.
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So on that fine note I shall bid you farewell. Oh, and here is another one of my pictures lit up by the UV light! This one is called Pink Rock!
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Pink Rock- Neon
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As a reminder, here’s what it looked like without the neons:
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Pink Rock by Lili Morgan

Pink Rock by Lili Morgan

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Bye bye,
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Take care,
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Lili X  
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If you want to see more of Lili’s journaling and path you can find her lurking under the Visitor Peep Tab on our site menu.
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Or you can follow Lili on Twitter here:
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Equally, you can find out about our last Visitor Peep Project ‘Interactions and Intersections’ with artist Kelly Occhiuzzo, You can find out more here, here, here, here and here.
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