Tag Archives: Ieuan Edwards

The Nine Realms Update #10: November

17 Nov

nine realms8

 

Vikings Ahoy! 

Overview

I am pleased to say that I submitted The Nine Realms Arts Council evaluation form the week before last and all seems to have gone well. This will mean that on the 18th of November they will release the final grant payment to us which will allow us to pay our final invoice. So it’s all good! The whole evaluatory process is a very interesting and informative one. It’s fiddly but it makes you look at what you’ve done in an objective way whilst subjectively exploring your achievements and lessons learned. This year we’ve dramatically increased our audience reach, and created 193 new artistic products which wouldn’t have existed if The Nine Realms had not taken place and our overall audience benefit was approximately 92,000 (online and offline).

The remaining backer rewards for our Indiegogo campaign supporters are going out this week and then everything will be more-or-less tied up with The Nine Realms for this year. It will be on to planning the national tour for 2018/19 next year and a new season of work, plus becoming a charity. I shall post out on that shortly….

 

1. The Festival of Ideas

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The taster we put on at The Cambridge Festival of Ideas on the 24th of October went down very well. 34 people attended, and we set up the realm boards and art work around the room so everyone could get a sense of what the event at King’s Lynn was like. Apologies that there aren’t any more pictures with people in them we all ended up being so engaged with what we were doing there were no spare hands for any camera work.  Vikings Ieuan Edwards, Shirley Golden, Simon Beavis, Jim Mackintosh, Gill Offley, Heather Burns, Karin Heyer and our Norse Expert Caitlin Ellis came along. Caitlin giving overviews of the realms where necessary.

We did mini realm tours around particular realms, the poets and artists talking about their work as we went along and we finished off with a Q & A with the help of the Viking Helmet of questions (each creative could pick out a random question and answer it) which worked out very well.

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Viking hat

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We also set up two computers with our Yggdrassil Minecraft game on them; and, like in King’s Lynn, the children attending became very absorbed. One young man even began to use the planks he found within the realms to build his own Viking boat within the game! Amazing!

2.  The Nine Realms in an Image Story (Photobucket):

In order to give the Arts Council a real sense of the breadth of The Nine Realms I created an image story of the whole event- encompassing as many elements as I could. I think the quality of what we produced and benefit artistically and educationally is apparent.

Click on the link and it will take you to the photo story.

http://s1028.photobucket.com/user/artipeeps/embed/The%20Nine%20Realms%20in%20Photos/story

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3. Artistic Statement and Future Intention

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past-present-future

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Significantly, out of The Nine Realms has come a solid clarfication of ArtiPeeps’ intentions in relation to its large-scale projects and its purpose as an organisation.  This now gives us a very clear focus and consolidates how we approach the work we do in the future. Here’s what I outlined in the mini-self evaluation for the Arts Council:

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‘A. ARTISTIC ASPIRATIONS AND INTENT:

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1. ARTISTIC STATEMENT:

This is the statement that appeared on one of our scroll-down banners outlining what ArtiPeeps does:

Driving all our work is a belief in creative potential and in the power of the combined arts to transform perceptions and facilitate enjoyment in the arts. Through our projects we hope to go into schools and communities to:

Engage the imagination and senses.
Promote interaction, participation, collaboration and creativity.
Move people from attendance to ‘active participation’.
Challenge and shake up perceptions of art and culture which create barriers to engagement
Give creatives the opportunity to make a difference in schools and communities through large-scale educational projects.

We also believe that creativity, in all its various guises, plays a significant part in maintaining our well-being. This specific interest is made manifest by our mental health themed initiatives.

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All attendees at The Nine Realms respond well to our new combination of art forms and validated our use of it in our projects. This positive response has confirmed our belief that the particular framework we have created is worth pursuing and developing. We want to use the combined arts imaginatively to change and challenge, breakdown boundaries, to subtly educate, and to nurture creativity. This intent was positively accepted in King’s Lynn and Norwich, and this realisation means we can go forward into future projects with a very clear intent, which we can now express and share through our new artistic statement.

We want to create projects which immediately facilitate interaction and participation, shaking up perceptions of what art is, who it is for, and how people ‘should’ think about it or behave in relation to it. Engaging emotions and minds- in an active and stimulating manner through ‘Experiences’, challenging notions of what an ‘Exhibition’ is.

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B. MOVING AWAY FROM GALLERY SPACES:

This idea of ‘challenging’ and ‘shaking up’ has fuelled our intention to move our projects away from obvious gallery spaces and either into places that are within the community, or unusually placed: unusual spaces where art is not usually found.

We want to take our projects into communities rather than communities coming to us and viewing them. This notion was also inspired by the response of teachers to our work who all wanted us to ‘go into’ schools with tasters of our projects. This ‘going into’ approach will not exclude us using institutions such as libraries and other artistic spaces, like The Forum. Of course, we will not totally exclude the idea of gallery spaces either but our emphasis will be on ‘going into communities’. Our aim will be that the artwork and writing and music and sculpture etc will be presented in an innovative way- not necessarily hung in the expected manner, but in a manner that will promote exploration and first-hand contact with the artistic and writerly products of our projects. This may also extend to performance. The same showcasing possibilities for participants will be there, as will the possibility to buy work. We will still provide high quality showcasing opportunities for participants but the emphasis will be on the fact that the creatives involved in our projects will be ‘making a difference’, contributing to something wider beyond their creativity, which affects young peoples’ education or peoples’ imaginations. This can augment creatives other artistic pursuits as well as giving them a sense of connection, new opportunities and collaboration through the large-scales.

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C. ‘GOING INTO’ SCHOOLS AND PLACES. CLASSWORKS:

Inspired by the ‘going into’ suggestion of the schools it is ArtiPeeps’ plan to form a small team of participants who will go into schools after the larger event and work creatively with pupils. In the near future The Management Committee and director will be exploring the finer details of how this would work and who would like to get involved. Transformations and The Nine Realms creatives will be asked  and this will be (in consultation with schools).
We have also created a brand: ‘Classworks’ , which will have under it our curricular projects, as well as our Schools’ books, Minecraft and Educational Packs. With our full educational, combined arts template in place, what will be in our Educational Packs for each project can now be addressed and explored. With the view in mind that these are ready for a national tour in 2018/2019. Branding our educational work as ‘Classworks’ will also help with our professionalisation.

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Having this very clear directive will allow us to create imaginative, challenging projects in the future and that feels very inspiring and a testament to the talents and creativity of all the people involved in The Nine Realms.

 

Watch out for another post shortly on what will be happening with ArtiPeeps in 2016. As ever, thank you so much for your interest.

Nicky

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Does The Sun Forget To Shine by John Mansell and “Polaroid (distant seaside memories) by Ieuan Edwards: The Loneliness Collaboration #3

1 Apr

Creatives Making A Difference

‘Supporting Mental Health’

LONELINESS Collaboration

Welcome to the third and final collaboration in a six week, fortnightly engagement with the feeling of Loneliness.  For this particular collaboration we have paired 3 artists and 3 poets together.  The poets have written a poem around this particular emotion and then passed it to the artists for their interpretation. The artist can work in parallel with the themes  within the poetry or in contrast. In so doing we’re attempting to artistically and accessibly engage with the feeling of loneliness. Each pairing is different so  we’re hoping to create a range of interpretations that might communicate something to everybody. The poets and artists have been exchanging  ideas over a number of weeks and what you have seen as the 6 weeks have rolled by is the diverse expression of that exchange. We hope to turn our mental health collaborations into an exhibition next year and an online resource. 

Big thanks go to the other poets and artists involved in this collaboration: Stephanie Brennan and Deborah Sheehy, Charlie Eliot Winters and Jeremy Moseley. Your work has been outstanding! 

 Your feedback on this project would be very much welcomed.

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This week’s collaboration features

John Mansell (Poet) and Ieuan Edwards (Artist)

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polaroid

“Polaroid (distant seaside memories)”

 

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Does the Sun Forget to Shine

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She awoke as usual;
the pale ochre of dawn suffusing
………………………onto her tiny form,
………………………wrapped in the middle of the bed.
Stretching, she found the quaver of her voice
braid the early chill
……………………………….Good morning me.

………..Life like tainted breath
………..spools the sudatory day,
………..The wrecks of dreams, their hulls
………..mauled by the coral of neglect,
………..crumbling on rocks of melancholy.
………..Whispers that were voices once known.
………..Eyes flecked with the discolouration of ennui.
………..Time traces over her.
………..An indistinguishable imprint in the vanishing ground.

Arranging her perfumery,
she touched the fragrance
…………………….of a teenage girl
…………………….playing in the snow.
And with a casual aside leant to the mirror
desilvering like that teenage girl who fell
and found no hand to help her up.
…………………………………I was once all I wished
…………………………………………..but that was.
……………………………….I knew you when you were beautiful.
………………………………I knew you when there were lips for you.
………………………………………..Have a good day me

………Cold in malefic darkness.
………Crisp moments of the past shuddering in illusion.
………The stalks of ruin litter the glass table
………Shelves moiled in damp-dust.
………he drapes of some remote taste glistens untouched.
………A single voice gyred to impossible dialogue.
………Trails suppurate the translucent blue her mind ever evokes.
………Twisted shafts of that conversation
………fluted by the lambent decline.

She held the photograph
as void of life as memory.
The man therein without a smile
……………………..featureless before a line of sea;
……………………..as still as his grave,
A tear blossomed and burst
………………………into vitellary regret.
A daily kiss of the glass.
………………………………….Hello my love, from me!

…………Clutched obsolete gestures.
…………Warped on fields of yester-dawn.
…………Amethyst moans of dissipating breath.
…………The towers of other worlds fold into shifting mist.
…………Emptied rivers of songs;
………….sun fond:
……………………..the what was…..
………….Midnight tears, when all that would ease
……………………..is distant and gone.

And she knew she would never
hear another’s voice in the confines of her existence but her own.
……………………And that sad lost echo
……………………of her lover’s voice
trailing ever fainter
…………………….into the hollow silences
…………………….of all time.
She poured a welcome Merlot.
…………………….Listened to Satie;
…………………….looking beyond her moment.
………………………………Good health me………

And all she beheld as a future
mewled with the same stain
bleaching her happiness
of every colour she knew.

 

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John Mansell

I was born in Manchester and lived there most of my life. I studied Ancient and Medieval History at the University of Manchester, my thesis being on he ancient Welsh poem Y Gododdin. I successfully completed the first year of an M Phil concerned with the Dark Age aristocratic warband known as the Comitatus, I sadly never completed it. I still live and work in the Manchester area. I have been writing ever since I can remember,usually short stories or poetry. What really started me was writing lyrics for my mates’ band as a young teenager. I have self published one volume entitled “Kakemonos” and have had about 100 pieces published in various small publications. Currently working on a website to gather most of my work together. But being one more comfortable with pen and paper, and the beauty of libraries this is proving a slow task.

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https://twitter.com/JohnMansell1

 

You can see John’s contribution to The Recovery Project  here and tto A Christmas Carol here

Ieuan Edwards

“I am an illustrator and printmaker, working primarily in linocut. My overarching aim is to emulate the spirit, energy and edge of the originators of the medium; one which has often been used throughout the years in political and protest art.

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My areas of interest are industry (drawing particularly on my coal mining heritage), tradition, eccentricity, tribalism, exploration, folklore and the human interaction with the animal kingdom. Living on the Kent coast – with its heady mix of seaside towns, folk festivals, history and colourful characters – provides me with a plentiful supply of inspiration.”

http://www.blackgoldpress.co.uk/

https://twitter.com/ieuanedwards

You can see Ieuan’s Weekend Showcase here 

 

Watch out tomorrow for our second creative resident Ben A.Cooper and the first post post of his residency.

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If you would like to get involved with one of our future collaborations or opportunities. Do get in contact via the contact form on the What’s On Page or via @ArtiPeeps. Thank you so much for your interest.

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Weekend Showcase: Ieuan Edwards (Artist)

14 Mar

Spotlight

Every Friday, 1 creative, letting their work speak for itself.

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Featuring

Ieuan Edwards

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Ieuan Edwards

                                                Nevermore

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Bio:

“I am an illustrator and printmaker, working primarily in linocut. My overarching aim is to emulate the spirit, energy and edge of the originators of the medium; one which has often been used throughout the years in political and protest art.

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My areas of interest are industry (drawing particularly on my coal mining heritage), tradition, eccentricity, tribalism, exploration, folklore and the human interaction with the animal kingdom. Living on the Kent coast – with its heady mix of seaside towns, folk festivals, history and colourful characters – provides me with a plentiful supply of inspiration.”

http://www.blackgoldpress.co.uk/

https://twitter.com/ieuanedwards

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Ieuan is also taking part in our Loneliness collaboration paired with poet John Mansell, and you can see their work here on Tuesday 1st April.

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Do get in touch via the contact form on the What’s On page  or @ArtiPeeps if you would like to be showcased. You’d be welcomed!

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