A The Nine Realms Campaign and Project Update #1

24 Apr

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19 poets, 23 artists, 3 musicians and a Viking boat!

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Vikings Ahoy!

Campaign Update:

So far we are off to a really great start. We are 53% funded and have £646 of our £1222 goal. A big thank you to all the 19 backers thus far.

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Here’s the latest backers’ wordle I created by way of a thank you. A larger version of the  wordle will be publicly displayed within ‘The Gallery’ in Hanse House throughout The Nine Realms event in September.

 

Day 3

 

Our Viking Boat:

We are also 4 days into the carving of our Viking Boat. It is starting to take shape, but in the beginning, so Mark tells me, it’s a slow process. Getting the boat prepped for the figurehead is key. Here is a slideshow of the boat’s progress thus far.

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There are some great Viking related rewards:

  • Have your initials carved on our boat
  • Get a 3 pack of realm poetry-art cards
  • Commission a Viking artist for a Norse themed painting
  • Have a Rune Poem written especially for you. 

And more….

http://igg.me/at/the9realms

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Here’s Mark’s latest Day 4 video:

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Realm Music:

Two of the musicians we commissioned for the project have completed their realm music.

Simon Beavis, who has composed pieces for the realms: Alfheim, Muspelheim and Midgard

Shaun Blezard who has composed pieces for the realms: Helheim, Jotunheim and Nidavellir

Simon Fox, our other composer, is still busy composing! Watch this space.

The realm music is going to introduce the realm poetry and be interspersed between poems during the participatory poetry readings we will be running throughout the 5-days of our event.  

Here are two examples of the realm music:

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Alfheim (the realm of the elves):

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 Jotunheim (the realm of the giants):

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In Other News….

We have started  to put out the poetry for the realm Helheim (the realm through which all men must pass to get to Nifelheim, the realm of the dead). Ruled by Hel, it’s a rich source of material for poetry.

Here’s a modern, experimental expression of Helheim by Eleanor Perry:

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Meetings in King’s Lynn:

I’ve just got back from King’s Lynn where I had a productive meeting about our  promotional material. We will be confirming our needs so I can then create copy for the various event print: ranging from Viking Worksheets, to Workshop posters (We are hosting two workshops, one art and one poetry run by artist Robert Fitzmaurice and poet Rebecca Audra Smith). I am also having an interview with Future Radio regarding our campaign, and confirming how Future Radio and their arts programme will be working with us.

Realm Art Thus Far:

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Our Indiegogo Campaign is here:

http://igg.me/at/the9realms

‘Magicking the Norse World to Life’

“Art between HAPPINESS and MEANING” by artist Ann Supan (FreeSpace #2)

23 Apr

CONFUSED

CONFUSED by Ann Supan 

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“Art between HAPPINESS and MEANING”

” Unhappy men are all alike. Some wound they suffered long ago, some wished denied, some blow to pride, some kindling spark of love put away by scorn – or worse indifference – cleaves to them, or they to it, and so they live each day within a shroud of yesterdays. The happy man does not look back. He doesn’t look ahead. He lives in the present.

But there’s the rub. The present can never deliver one thing: meaning. The ways of happiness and meaning are not the same. To find happiness, a man need only live in the moment; he need only live for the moment. But if he wants meaning – the meaning of his dreams, his secrets, his life – a man must reinhabit his past, however dark, and live for the future however uncertain. Thus nature dangles happiness and meaning before us all, insisting only that we choose between them. ”  (The Interpretation of Murder by Jed Rubenfeld)

I interpret the word “insisting” on above quotation as an implication that even though nature may “insist” for us to choose between HAPPINESS and MEANING, it does not mean that it’s “impossible” for us to have both.

I think that I cannot “always” have both HAPPINESS and MEANING at the same time but as long as I can find MEANING in my life, I know I’ll find HAPPINESS there too “at certain times” no matter how brief or long it lasts.

I know I am happy whenever I make a piece of art simply because I enjoy doing it…but what does that mean? It means…

– not having enough time for other things which may affect my relationship with others because they don’t understand my passion (this includes taking time to make something that is not actually paid for…some people with full time regular paying jobs just don’t understand that).

– giving people more reasons to criticize me.

– putting my ideas at risk because I cannot be an artist by just locking myself in a room drawing all day. Sharing art in the real word is, indeed, “a double edge sword.”

– doubting myself and my artistic abilities because, the truth is, I am not the “best artist” in the world (if there is such a person as “art is subjective”). I am not ashamed to admit that as I know for a fact that there are a lot of great artists out there (living or dead).

– always having the fear of “failing” at what I’ve always thought I am born to do in this world – to be an artist

Despite all this, if I must choose, I’ll choose MEANING as I’m certain that I cannot totally “just” be happy. I believe, just like any other feelings ( e.g. sadness, grief, etc.), HAPPINESS too shall pass…it always does. MEANING, on the other hand, is definite as it gives us purpose…the reason to live “no matter what”. I would rather know that there is a meaning for ALL  the things I’ve been through in life than to be a happy person by ignoring my past that I cannot “just” forget.

However, though I choose MEANING, I don’t live in the present “entirely” for the benefit of my future because for all I know I may die today. I honestly do not desire a longer life. I just want to “live” the life I’m given by learning from my past and doing the best I can with what I have until the day I stop breathing (period).

The SHADOWS series is a collection of portraits intending to show emotions  OTHER than those typical portrayal of  complete happiness and joy as I hope to convey those I believe are “meaningful” part of someone’s life.

As every piece is unique, to read about the description of each piece, kindly click on the corresponding Facebook link below ( “Playing with SHADOWS” album) so as to avoid making this blog any “longer” ;)

https://www.facebook.com/media/set/?set=a.603474029767510.1073741830.125692274212357&type=3

***The image (CONFUSED) I used on this blog is the 17’th piece of my SHADOWS series ****

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Ann will be returning for her third FreeSpace on Thursday 21st May. She is one of the artists to be exhibited in our The Nine Realms  combined arts experience this  September in King’s Lynn, Norfolk.

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Biography

What if?’ will always be the question Ann Supan tends to ask herself every now and then. She is an Engineering graduate who knows she wanted to be an artist since she was 10 years old. She is a Filipina visual artist who loves to draw and likes reading as much as travelling. Her main interest in art is portraiture as it is her ambition to express beauty and emotion on her work. She focuses mainly on likeness as her technique and style is simple. Recently, she has been making ‘dual portrayal’ portraits in order to make her work ‘thought provoking’ as well.

She specializes in traditional drawing in the categories of figure drawing, illustration and shading using graphite and charcoal as her main medium. She also likes to use different mediums as shown on her selective impressionistic pieces.

Through years of practice and experimentations her artworks now revolves around on both realistic and impressionistic form.

https://twitter.com/Sketchbook0918

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*FreeSpace offers 3 post slots on ArtiPeeps to any creative or group. They can be taken in a cluster or over a period of months for showcasing, projects (encouraged) or self expression. If you’re interested in FreeSpace do get in touch via the reply box on this post or the contact form on the What’s On page. 

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Please do check out our Indiegogo Crowdfunding Campaign: 

http://igg.me/at/the9realms

Helheim: ‘Death & Hollows’ The Nine Realms- Poems and Writing

23 Apr

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The Nine Realms

9 months, 23 poets and writers, 22 Artists, 3 composers, 1 Viking boat: a magical reworking of Norse Mythology for contemporary audiences

 

Poems and Writing inspired by the Norse realm of Helheim (The Realm through which men must pass to reach Nifelheim)

Featuring:

Eleanor Perry, James Knight and Tom Murphy

 

6.

whip shrug figurations

by Eleanor Perry

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we dig grisly at the slagheap ridge | where stark
proteins broke in the ash | there are high-voltage
moths and tumours in the masonry | brash ga-ga-
ganglia lolling in twists and graphs | and that tweed
squirm in the kitchen, darting and novelizing, all
sleaze and gravel shudder | we need to wake up
next to the aluminium industry | pull hungry and
hip reckless | our hardboard tetrahedral gods –
bright and shining with their clerical safeguards |
this is rock-n-surf | there are no other meat splinters
in the fissuring hour of the liver | and I have put the
whole galaxy into spilth and multicode | these back-
lands full of weird mimiviruses frothing in the gaps |
high-balling in the green of telemarketing | where I
quietly slang viridians

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Hel

by James Knight

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Switch on
Switch off

Silvered faces
Inside the mirror

Do come in
Make yourself at home

WTF! I can’t see a thing
Only my face
I look like a fucking weirdo
What’s going on with my eyes?

Switch on
Switch off

Fold yourself up, put yourself in my hand
Wait

Switch on
Switch off

It’s simply not true to claim that we’re the party of privilege
We stand for honest, decent, hard-working

Switch on
Switch off

Drive more website traffic
In fact, our data shows that using a
Drives 43% more engagement

Silvered faces
At home

My eyes

Put yourself in my hand

Switch on
Switch off
Switch on
Switch

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Part 6

Helheim

by Tom Murphy

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the creepy motherfucker never unchancy
reeled and hollered
as I removed the breath from his throat

snow crunched and swirled
I crunched and swirled
he grew cooler

there was a boast
an insult or two
breaths he should have kept to himself

blood was spilled of course
coursing unbound
feezing on the ground

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Find out more about Eleanor, James and Tom here:

Eleanor Perry

https://twitter.com/nellperry

James Knight

thebirdking.com

https://twitter.com/badbadpoet

 Tom Murphy

https://twitter.com/sandcave

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As always, thank you for your interest.

 

The Nine Realms Indiegogo Campaign:

http://igg.me/at/the9realms

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‘Dear’ & ‘Tread Softly’ by Louise M. Hart (Poet) FreeSpace #2

22 Apr

Maternity by Picasso

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Dear

by
Louise M. Hart

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Mother…
You personify the best and worst of the universe

You bore me naked
Then you covered me up
You believed my existence serendipitous

But I ran out of luck

You nurtured a seed
That bloomed into a weed
Refusing to grow up

For I disavowed a blossoming exterior
In order to feel nearer to you
Than to myself

Mother…
You filled my tears with laughter

My smiles belied a must
To master the unacceptable disaster
Of my uninvited, hidden desires

Thus, I inhaled the air like a choking mist
My life shortened by each deadly hiss
Of lung penetration

Mother…
I like your soul, but not your hair

I eat Mum’s, because I know you care

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Tread Softly

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Invention of my Mother
Who lifts me up
I am nearer to death
Than to love

She will always be more than a memory
Who beckons my mind to follow
Its creative streams
Of metaphorical rivers and symbolic seas

Oceanic under mental foot
Spread beneath passing readers’
Psychical feet
Like Yeats’ immersive, but desiccated dreams

Another day over
A milestone nearer
I cry myself younger

You can find more about Louise and her poetry here:
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Watch out for Louise’s 3rd FreeSpace.  Coming Soon!

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*’FreeSpace’ offers creatives or groups 3 slots on ArtiPeeps which can be taken up in a cluster or in a sequence over a period of months. They can be used for further showcasing, self-expression or for projects.

If you are interested in FreeSpace, don’t hesitate to get in contact via a reply box, or the form on our What’s On’ Page or via @ArtiPeeps

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Do take a look at our ‘The Nine Realms’ Indiegogo Campaign

19 poets, 23 artists, 3 musicians and a Viking boat!

http://igg.me/at/the9realms

 

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9 Realms Viking Showcase: featuring Cliona Sheehan (artist)

21 Apr

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19 Poets, 23 artists, 3 musicians and a Viking boat

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Featuring

Cliona Sheehan

(Realm artist for Nidavellir alongside photographer Tony Adams)

Question: what piece of your art best represents you at the moment?

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 Mask

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 Biography:

IMG_2319

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Cliona Sheehan was born in Ireland but lived her formative years in Bermuda. In 1978 she returned to Ireland and moved to Connemara to find the artist within. She now works as a self employed Parenting Skills facilitator and tutor. She is a self taught artist who seeks out art workshops and online collaboration to improve and get inspiration. She also uses art in her facilitation work, when possible. She works in ink, oils and acrylic to reflect what she sees… some realistic… some capture the mood. Often there is a struggle between what exists and what is experienced and she explores this dichotomy.

Contact details: clionasheehan@yahoo.co.uk
http://www.touchtalent.com/artist/17275/cliona-sheehan

 

* Nidavellir is the realm of the dwarves

* You can find more information about The Nine Realms here

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Please do take a look at our Indiegogo Crowdfunding Campaign for our Viking Boat.

We have some great Viking Rewards:

http://igg.me/at/the9realms

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Nifelheim: ‘Spaces and Pain 4/4′ The Nine Realms- Poems and Writing

16 Apr

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The Nine Realms

9 months, 22 poets and writers, 22 Artists, 3 composers, 1 Viking boat: a magical reworking of Norse Mythology for contemporary audiences

 

Poems and Writing inspired by the Norse realm of Nifelheim (The Realm of the Dead

Featuring:

Karin Heyer and John Mansell

Choices

by Karin Heyer

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In the mists of time,
Hel, goddess of the dead
was the moon that
drew good or evil
across the water.
Her gigantic power
should not fall to abuse,
for that was Hel’s hell.

She ruled over men
on this sea of wagons
with fierce piercing eyes.
She could protect or destroy
the apple-tree of strife
under the miraculous moon’s hall,
so that the brutal blood-snake
would strike
not in thoughtless revenge.

She was master of
the dream-assembly for
the sick and old,
could prevent the slaughter-dew from flowing
over the ruthless river-fire
in the lone battle of life.

 

The translations of the kennings:

Sea of Wagons = earth; Apple-tree of strife = warrior; Moon’s hall = sky; Blood-snake = sword; Dream-assembly = sleep; Slaughter-dew = blood; River-fire = gold

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Nifelheim

by John Mansell

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The night stifles with moon and star-fall.
The skald saunters through the throng.
Arms aloft like antlers he shuffles words
on his rhythmic tongue,
full of soot and cinders, to fall upon
the eager warriors gathered in stately enclave.
The night ignited by the sparks of his recital,
spreading the gloaming like bleeding flame.

“We are such as gather before the camp fires of lore.
We are those who thrust to that glorious death.
Yet betwixt and between there are those
who crave infirmity and age.
Look and you will glance their shifting eyes
behind the slatted windows of hovels,
fearful and stripped of dignity.
No feasting halls for them.
Nothing but sullen Nifelheim awaits.
The mist-home.
The clutch of ice and cold upon ancient flesh.
The dread of the Rime Giants or the Children of the Mist.
We are such as will never see those spectres.

“And lo I tell you, Nifelheim is older than the first star.
It was created before earth, and at its centre Hvergelmir,
the Roaring Kettle, from which nine rivers flow.
That hoary land where Odin sent
defiling Loki’s grotesque child Hel.
That cruel daughter;
half sable as night, half as you in stippled wipe of fire.
And there with those whose usefulness has diminished
go the evil doers, the molesters of dream.
Helgrind, the Gates of Hell, ne’er more apt,
that edifice entrance; that hall called Eljudnir.
She strewed the minds of ambling man.
Her dish was that of Hunger.
Her knife the famine before her table.
Her slave a slender wraith call Lazy
and Slothful her serving wench in harlot stance.
We are such as will not fall to her peril.

“We are such as will not see before the quivering sun,
as it shudders beneath the end of the earth,
the sail of her ship of death afloat from its mooring
in that place that traps and spits her name as if both are one.
We are such whose eyes will not stoop beneath
the lowest horizon before that Mistress of Death.
That Mistress of the pusillanimous hand.
Not lest you be as brave Hermod
whose ride to her foreboding hall entreats all glory.
To release sad Balder from its mortifying hold.
None must weep she said
to show that he was truly loved.
None at all she said.
How harsh her condition as that sole giantess
with eyes of granite frowned and found no tear.
We are such as Hermod.
We are such as defy the impossible.
No Nifelhein for us.
No falsifier of Death to retch our glories.
For we will find the perfect deaths to attend our only Master.”

The fires had burnt low.
The moon had travelled along the sky.
The gathered warriors gripped in thought the silent blades.
And the skald with no hint of farewell
departs as if he had never been.

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Hvergelmir

Hermod

Balder

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You can read the overview of Nifelheim  here , and see some Nidavellir poems here

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Find out more about Karin and John here:

Karin Heyer

Contact ArtiPeeps

John Mansell

https://twitter.com/JohnMansell1

 

As always, thank you for your interest.

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Realm 7: Muspelheim – Overview and writing prompts, The Nine Realms, an ArtiPeeps Combined Arts Collaboration 2014-2015

14 Apr

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The Nine Realms

9 months, 19 poets and writers, 23 Artists, 3 composers, 1 Viking boat

 a magical reworking of Norse Mythology for contemporary audiences

Muspelheim

(the realm of fire)

 

Vikings Ahoy!

Here we are in the middle of April,  with the deadline for the poetry and writing for the 6th realm Helheim Thursday 16th April. I shall be posting out the remaining Nifelheim poems this week and then Helheim the week after.  This month we are outlining the realm of Muspelheim. The deadline for all writing, poetry and mp3s for this realm is Monday 11th May.

These monthly posts will draw from a range of primary and secondary source materials and focus on selected gods, themes and stories that circle around the highlighted realm. They will not attempt to cover everything, and writers can embrace any other stories and characters within their writing which is not covered. Month by month we will be building our own magical, contemporary norse world whilst exploring the themes of POWER, NATURE and RELIGION. The project’s overall intention is to embrace orality, translation, storytelling and rhythm all of which are inspired by the origins of the oral tradition of the Norse Sagas.

I may well put out little mini-posts intermittently focusing on orality and poetic form as necessary.  

What is presented below is designed to inspire, present basic information and offer a starting point for individual creativity within the project inspired by the themes, characters and spirit of the myths and stories.

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Surtr

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1. A brief  Overview of Muspelheim

Mentions of Muspelheim and Surt/Surtr are sparing within The Poetic Edda and The Prose Edda, and primarily, it seems, centred around Ragnarök

Muspelheim was to the North of Ginnungagup, the large chasm at the beginning of the world, where Surt/Surtr, ‘the swarthy one’, the fire god, stands guard with a flaming sword. It is where the Gods, as the world was created, scattered sparks across the sky as stars (Allan: 34). Muspelheim is fire; and the land to the North, Niflheim, is ice. The two mixed and created water from the melting ice in Ginnungagap. The sun and the stars originate from Muspelheim. The residents of Muspelheim are known as  the eldjötnar (“Fire Giants“). They are also known  by other names in Eddic poetry, such as the Múspellssynir (or Múspellsmegir — “sons of Muspell”) and the Rjúfendr (from rjúfa — “to break, tear asunder”, Destroyers of Doomsday). See http://en.wikipedia.org/wiki/Muspelheim

In The Prose Edda In chapter 4 the  Gylfaginning, the enthroned figure of Third tells Gangleri (described as King Gylfi in disguise) that the flaming region existed prior to Niflheim, and is impassable to those who are not born to the realm. To protect Muspelheim Surt/Surtr is stationed at its frontier.

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 2. Surt

220px-Surtur_mit_dem_Flammenschwerte

Surt with flaming sword

 

Surt/Surtr plays a major role in the tra.jectory towards Ragnarök, through his battles against the Æsir,  fighting particularly with  Freyr. The fire that Surt engenders engulfs the Earth in its final moments of existence (before it is reborn).

Norse Academic Simek says that “in Iceland Surtr was obviously thought of as being a mighty giant who ruled the powers of the (volcanic) fire of the Underworld”,

Surt/Surtr is mentioned twice in the The Prose Edda particularly the Völuspá, where a völva (a Seer) states that Surt/Surtr will come from the south with flames, carrying a  bright sword:

 
Sutr ferr sunnan
með sviga lævi:
skinn af sverði
sól valtiva.
 
Surtr moves from the south
with the scathe of branches:
there shines from his sword
the sun of Gods of the Slain. 
Dronke (1997:21).

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There are few details given about the fight between Surt/Surtr and Freyr in the Völuspá .The poem focuses more on how Odin is to be killed by the wolf Fenrir.  However, it is mentioned that Surtr will go to battle against “Beli’s bane”, a kenning for the god Freyr, who slew the giant Beli.

You can find the whole Völuspá  here

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3.   Ragnarök  and Surt/Surtr

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According to the Ragnarök predictions in the Gylfaginning, the sons of Muspell , the fire giants, will break the Bifröst bridge, signalling the end of times:

In the midst of this clash and din the heavens are rent in twain, and the sons of Muspell come riding through the opening. Surtr rides first, and before him and after him flames burning fire. He has a very good sword, which shines brighter than the sun. As they ride over Bifrost it breaks to pieces, as has before been stated. The sons of Muspel direct their course to the plain which is called Vigrid…. The sons of Muspel have there effulgent bands alone by themselves.

You can find the whole of the Gylfaginning here

The story goes that Surt/Surtr  will come via land  and ride over Bifrost, the rainbow bridge, to Asgard. Here the armies of the gods and giants will meet for one last battle. It is where Surt/Surtr remains until the end,  and once Heimdallr and Loki fight ( killing one another), Surt/Surtr flings fire over the world so that both men and gods will perish in an overwhelming sea (Ellis Davison: 38).

The sun becomes dark. Earth sinks in the sea.

The shining stars slip out of the sky.

Vapour and fire rage fiercely together,

till the leaping flame licks heaven itself

(ibid)

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4. Sinmara

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Sinmara by Jenny Nystrom

Sinmara by Jenny Nystrom

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Is a female who is often considered to be a companion of Surt/Surtr. A mention of her can be found in the poem Fjölsvinnsmál (The Sayings of  Fjölsvinnr) where she is said to have a weapon called Lævateinn which is considered a kenning for a sword, ‘damage tree’. Her name, mara, may be linked to”(night-) mare”, and the two figures together can be seen as quite a powerful combination.

Here is a section from Fjölsvinnsmál: 

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Benjamin Thorpe’s translation:
26. Tell me, Fiölsvith! etc.
whether there be any weapon,
before which Vidofnir may
fall to Hel´s abode?
27. Hævatein the twig is named,
and Lopt plucked it,
down by the gate of Death.
In an iron chest it lies
with Sinmoera,
and is with nine strong locks secured.
Henry Adams Bellows translation:
41. Svipdag spake:
“Now answer me, Fjolsvith, the question I ask,
For now the truth would I know:
What weapon can send Vithofnir to seek
The house of Hel below?”
42. Fjolsvith spake:
“Lævatein is there, that Lopt with runes
Once made by the doors of death;
In Lægjarn’s chest by Sinmora lies it,
And nine locks fasten it firm.”
 

See:  http://en.wikipedia.org/wiki/Sinmara

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Themes, Relevance and Questions:

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Life,  Death, heat and renewal: 

Interestingly, many connections have been made between Ragnarök and Christian Notions of Judgement Day. Fire and burning have played a large part in many religious ceremonies and rites for 100s of years.  A cycling of conflict, punishment and then renewal. Fire keeps us warm, but equally fire is volatile and chaotic if untamed. Surt/Surtr and Muspelheim could be seen as a symbol for that volatility,  and when they reach Asgard- might meets might!

There is something very intense and dynamic about heat, about flames. There can be warmth and comfort, but if fire gets out of control there can equally be searing, skin burning, pain. Surt/Surtr and fire are what we have at the end of the world just before the new world begins.  The new world begins not with ease, but through a clash of force, devastation and power.

 Exploration Point: Take a look through The Prose and Poetic Eddas and track how fire is used within the stories. Are there any patterns? What symbolism does it have? 

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Things of Interest:

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1.  The Road To Asgard: BiFrost:

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 2.  Three videos about Jesse Byock’s (the translator of the Penguin Classic edition of The Prose Edda) multi-disciplinary research which combines the sagas, history and archaeology

Part 1

Part 2

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Part 3

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Optional Poetry and Writing Prompts:

Gerard Manley Hopkins

Gerard Manley Hopkins

Curtal Sonnet

Established by Gerard Manley Hopkins, and is a ten-and-a-half line form,  a sonnet but three-quarters the size. Hopkins’ poem Pied Beauty is an example.

The rhyming scheme is abcabcdbcdc or abcabcdcbdc.

See here for more details.

Writing Word Prompts:  Tormentors, Unfinished, Moment, Burst, Climb, Universal,  Destiny, Helmet, Hearts

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To confirm, the deadline for all writing, poetry and mp3s for the Muspelheim realm is Monday 11th May 2015.

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 Thank you so much for your interest.

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References

 Allan, T (2010) Vikings, The Battle at the End of Time, London: Watkins Publishing

Crossley-Holland, K (1993) The Penguin Book of Norse Myths: Gods of the Vikings, London, Penguin Books

Dronke, Ursula (Trans.) (1997). The Poetic Edda: Volume II: Mythological Poems. Oxford University Press.

Ellis Davidson, H.R. (1990) Gods and Myths of Northern Europe, Penguin Books

Hollander, L.M. (1996) tr. The Poetic Edda, Austin: University of Texas Press

Larrington, C. (1996) tr. The Poetic Edda, Oxford University Press

Simek, Rudolf (2007) Dictionary of Northern Mythology,Translated by Angela Hall. D.S. Brewer

Sturluson, S. (2005) The Prose Edda, Penguin Classics, tr. Jesse L. Byock

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